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Claude Lorrain Oil Painting Reproductions
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Claude Lorrain Landschaft mit der Nymphe Egeria und Konig Numa oil


Claude Lorrain
Landschaft mit der Nymphe Egeria und Konig Numa
Painting ID::  89518
new25/Claude Lorrain-938936.jpg 		Landschaft mit der Nymphe Egeria und Konig Numa
1669(1669) Medium oil on canvas Dimensions Deutsch: 155 x 199 cm cjr
   
   
     
Claude Lorrain Ideal Landscape with The Flight into Egypt oil


Claude Lorrain
Ideal Landscape with The Flight into Egypt
Painting ID::  92395
new25/Claude Lorrain-648587.jpg 		Ideal Landscape with The Flight into Egypt
Date 1663(1663) Medium oil on canvas Dimensions Height: 193 cm (76 in). Width: 147 cm (57.9 in). ttd
   
   
     
Claude Lorrain Pastoral Landscape oil


Claude Lorrain
Pastoral Landscape
Painting ID::  92677
new25/Claude Lorrain-563335.jpg 		Pastoral Landscape
Date c. 1636-7 Source Art Gallery of New South Wales TTD
   
   
     
Claude Lorrain Vedute von Delphi mit einer Opferprozession oil


Claude Lorrain
Vedute von Delphi mit einer Opferprozession
Painting ID::  92774
new25/Claude Lorrain-494948.jpg 		Vedute von Delphi mit einer Opferprozession
Medium oil on canvas Dimensions 150 X 200 cm TTD
   
   
     
Claude Lorrain Landschaft mit Apollo, den Musen und einem Flubgott oil


Claude Lorrain
Landschaft mit Apollo, den Musen und einem Flubgott
Painting ID::  93611
new26/Claude Lorrain-864969.jpg 		Landschaft mit Apollo, den Musen und einem Flubgott
1652(1652) Landschaft mit Apollo, den Musen und einem Flußgott Medium oil on canvas Dimensions Deutsch: 185 x 290 cm cjr
   
   
     
Claude Lorrain Landscape with David at the Cave of Adullam oil


Claude Lorrain
Landscape with David at the Cave of Adullam
Painting ID::  93618
new26/Claude Lorrain-743744.jpg 		Landscape with David at the Cave of Adullam
1658(1658) Medium oil on canvas Dimensions 112 x 185 cm cjr
   
   
     
Claude Lorrain Village Fete oil


Claude Lorrain
Village Fete
Painting ID::  94844
new26/Claude Lorrain-339456.jpg 		Village Fete
Oil on canvas Dimensions 103 cm x 135 cm cyf
   
   
     
Claude Lorrain Pastoral Landscape oil


Claude Lorrain
Pastoral Landscape
Painting ID::  96133
new26/Claude Lorrain-373596.jpg 		Pastoral Landscape
1677(1677) Medium oil on canvas cyf
   
   
     
Claude Lorrain The Trojan Women Set Fire to their Fleet oil


Claude Lorrain
The Trojan Women Set Fire to their Fleet
Painting ID::  96149
new26/Claude Lorrain-894985.jpg 		The Trojan Women Set Fire to their Fleet
ca. 1643 Medium Oil on canvas Dimensions 41 3/8 x 59 7/8 in cyf
   
   
     
Claude Lorrain Pastoral Landscape oil


Claude Lorrain
Pastoral Landscape
Painting ID::  96544
new26/Claude Lorrain-649568.jpg 		Pastoral Landscape
oil on canvas Dimensions 40.375 X 52.25 in cyf
   
   
     
Claude Lorrain The Embarkation of St Paula in Ostia oil


Claude Lorrain
The Embarkation of St Paula in Ostia
Painting ID::  97899
new26/Claude Lorrain-567784.jpg 		The Embarkation of St Paula in Ostia
Oil on canvas Dimensions 211 x 145 cm cyf
   
   
     
Claude Lorrain Paisaje de un puerto oil


Claude Lorrain
Paisaje de un puerto
Painting ID::  98189
new26/Claude Lorrain-966397.jpg 		Paisaje de un puerto
circa 1633(1633) Medium oil on canvas Dimensions 97.5 x 130.8 cm cyf
   
   
     
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     Claude Lorrain
     French 1600-1682 Claude Lorrain Galleries In Rome, not until the mid-17th century were landscapes deemed fit for serious painting. Northern Europeans, such as the Germans Elsheimer and Brill, had made such views pre-eminent in some of their paintings (as well as Da Vinci in his private drawings or Baldassarre Peruzzi in his decorative frescoes of vedute); but not until Annibale Carracci and his pupil Domenichino do we see landscape become the focus of a canvas by a major Italian artist. Even with the latter two, as with Lorrain, the stated themes of the paintings were mythic or religious. Landscape as a subject was distinctly unclassical and secular. The former quality was not consonant with Renaissance art, which boasted its rivalry with the work of the ancients. The second quality had less public patronage in Counter-Reformation Rome, which prized subjects worthy of "high painting," typically religious or mythic scenes. Pure landscape, like pure still-life or genre painting, reflected an aesthetic viewpoint regarded as lacking in moral seriousness. Rome, the theological and philosophical center of 17th century Italian art, was not quite ready for such a break with tradition. In this matter of the importance of landscape, Lorrain was prescient. Living in a pre-Romantic era, he did not depict those uninhabited panoramas that were to be esteemed in later centuries, such as with Salvatore Rosa. He painted a pastoral world of fields and valleys not distant from castles and towns. If the ocean horizon is represented, it is from the setting of a busy port. Perhaps to feed the public need for paintings with noble themes, his pictures include demigods, heroes and saints, even though his abundant drawings and sketchbooks prove that he was more interested in scenography. Lorrain was described as kind to his pupils and hard-working; keenly observant, but an unlettered man until his death. The painter Joachim von Sandrart is an authority for Claude's life (Academia Artis Pictoriae, 1683); Baldinucci, who obtained information from some of Claude's immediate survivors, relates various incidents to a different effect (Notizie dei professoni del disegno). John Constable described Claude Lorrain as "the most perfect landscape painter the world ever saw", and declared that in Claude??s landscape "all is lovely ?C all amiable ?C all is amenity and repose; the calm sunshine of the heart"

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