Claude Lorrain Landscape with Hagar and the Angel Painting ID:: 32975 new9/Claude Lorrain-466225.jpg
Landscape with Hagar and the Angel mk82
1646-47
Oil on canvas on wood
52x44
National Gallery,
London
Claude Lorrain Landscape with Cephalus and Procris reunited by Diana Painting ID:: 33604 new9/Claude Lorrain-893565.jpg
Landscape with Cephalus and Procris reunited by Diana mk86
1645
Oil on canvas
102x132c,m
London,Natinal Gallery
Claude Lorrain Landscape with Apollo and Mercury Painting ID:: 33605 new9/Claude Lorrain-622954.jpg
Landscape with Apollo and Mercury mk86
c.1645
Oil on canvas
55x45cm
Rome,Galleria Doria-Pamphilj
Claude Lorrain Seaport at Sunrise Painting ID:: 33606 new9/Claude Lorrain-488483.jpg
Seaport at Sunrise mk86
1674
Oil on canvas
72x96cm
Munich,Bayerisch Staatsgemalde-sammlungen
Alte Pinakothek
Claude Lorrain Embarkation of St Paula Romana at Ostia Painting ID:: 40456 new16/Claude Lorrain-687473.jpg
Embarkation of St Paula Romana at Ostia mk156
1639
Oil on canvas
211x145cm
Claude Lorrain Landscape with Psyche outside the Palace of Cupid Painting ID:: 40510 new16/Claude Lorrain-657446.jpg
Landscape with Psyche outside the Palace of Cupid mk156
1664
Oil on canvas
87.1x151.3cm
Claude Lorrain Landscape with Jacob,Rachel and Leah at the Well Painting ID:: 40511 new16/Claude Lorrain-953657.jpg
Landscape with Jacob,Rachel and Leah at the Well mk156
1666
Oil on canvas
113x157cm
Claude Lorrain The Expulsion of Hagar Painting ID:: 40512 new16/Claude Lorrain-299643.jpg
The Expulsion of Hagar mk156
1668
Oil on canvas
106.4x140cm
Claude Lorrain Morning in the Harbour Painting ID:: 41051 new16/Claude Lorrain-398377.jpg
Morning in the Harbour mk159
c.1649
Oil on canvas
97.5x120cm
Claude Lorrain Country cape with the father of Psyche that at Apollo sacrifices Painting ID:: 42703 new16/Claude Lorrain-628837.jpg
Country cape with the father of Psyche that at Apollo sacrifices MK169
1660-70 Shut down 175x223cm National
Trust
Claude Lorrain Seaport with the Embarkation of the Queen of Sheba Painting ID:: 43228 new16/Claude Lorrain-799559.jpg
Seaport with the Embarkation of the Queen of Sheba mk170
1648
Oil on canvas
148.6x193.7cm
Claude Lorrain Landscape with Aeneas at Delos Painting ID:: 43229 new16/Claude Lorrain-348334.jpg
Landscape with Aeneas at Delos mk170
1672
Oil on canvas
99.7x134cm
Claude Lorrain Hagar und Ismael in der Wuste Painting ID:: 45231 new16/Claude Lorrain-837693.jpg
Hagar und Ismael in der Wuste mk181
1668
Munchen
Alte Pinakothek
Claude Lorrain Landscape with the Rest on the Flight into Egypt Painting ID:: 51185 new18/Claude Lorrain-574779.jpg
Landscape with the Rest on the Flight into Egypt 1666
Oil on canvas,
113 x 157cm
Claude Lorrain Seaport with the Embarkation of Saint Ursula Painting ID:: 51360 new18/Claude Lorrain-697233.jpg
Seaport with the Embarkation of Saint Ursula mk218
1641
Oil on canvas
113x149cm
Claude Lorrain Aeneas-s Farewell to Dido in Carthago Painting ID:: 52592 new19/Claude Lorrain-838755.jpg
Aeneas-s Farewell to Dido in Carthago 1676 Oil on canvas, 120 x 149,2 cm
Claude Lorrain Ascanius shooting the stag of sylvia Painting ID:: 52754 new19/Claude Lorrain-997588.jpg
Ascanius shooting the stag of sylvia mk223
Oil on canvas
Claude Lorrain Landscape with Isaac and Rebecka brollop Painting ID:: 53829 new19/Claude Lorrain-766689.jpg
Landscape with Isaac and Rebecka brollop mk234
1648
149x197cm
Claude Lorrain Landscape with Ascanius shooting Silvia deer Painting ID:: 53831 new19/Claude Lorrain-342585.jpg
Landscape with Ascanius shooting Silvia deer mk234
1682
120x150cm
Claude Lorrain Moses Rescued from the Waters Painting ID:: 55729 new20/Claude Lorrain-633354.jpg
Moses Rescued from the Waters mk244
c.1639/40
Oil on canvas
209x138cm
Claude Lorrain Seaport at Sunrise Painting ID:: 55766 new20/Claude Lorrain-352232.jpg
Seaport at Sunrise mk244
Oil on canvs
72x96cm
Claude Lorrain landscape with the marriage of lsaac and rebecca Painting ID:: 56076 new20/Claude Lorrain-762759.jpg
landscape with the marriage of lsaac and rebecca mk247
1648,oil on canvas,60x79 in,152.3x200.6 cm,national gallery,london,uk
Claude Lorrain utsikt over hamn med bimma Painting ID:: 56517 new20/Claude Lorrain-628727.jpg
utsikt over hamn med bimma mk248 en av claudes typiska bamnuyer med boha byggnder flankerar lompositionen med ljus som lyer upp bela scenen fran en punkt strax ovanfor borisonten. den bar malningen illustrerar ocksa bur ban bar asradkommit ett djup genom att man ser mot den disiga borisonten genom en graduis nedtoning av de tydliga konturerna ocb starka fargerna.
Claude Lorrain lenbskap med nymfen egeria Painting ID:: 56518 new20/Claude Lorrain-292784.jpg
lenbskap med nymfen egeria mk248 en av claudes senare ocb storta malningar visar egeria som sorjer sin dode make, kungen av rom. sorg ocb trost ar de teman som genomstrar bilden genom ett val sammanballet fargscbema som ocergar fran morker till ljus. detypisla inslagen i en landskapsmalning av claude forenas bar av ett milt ljus som strommar mot askadaren,varsmt blick varsamt leds kring en serie sma poetila vinjetter.
Claude Lorrain cattle farmer and the landscape Painting ID:: 56887 new20/Claude Lorrain-229357.jpg
cattle farmer and the landscape mk250 Year in 1629. Oil painting on cloth. About 107 x 147 cm. Philadelphia Museum of Art
Claude Lorrain Ulysses Kerry race will be the return of her father Dubois Painting ID:: 57264 new20/Claude Lorrain-648484.jpg
Ulysses Kerry race will be the return of her father Dubois mk255 for in 1644. 1.19 x 1.50 meters canvas. Paris, the Louvre
Claude Lorrain Landscape with the Rest on the Flight into Egypt Painting ID:: 63833 new21/Claude Lorrain-767854.jpg
Landscape with the Rest on the Flight into Egypt 1666 Oil on canvas The Hermitage, St. PetersburgArtist:CLAUDE LORRAIN Title: Landscape with the Rest on the Flight into Egypt (detail) Painted in 1651-1700 , French - - painting : religious
Claude Lorrain women in a garden Painting ID:: 64365 new22/Claude Lorrain-849925.jpg
women in a garden 1866
paris, muse'e du jeu de paume
Claude Lorrain Egeria beweint Numa Painting ID:: 66227 new22/Claude Lorrain-966878.jpg
Egeria beweint Numa Oil on canvas
155 x 200 cm
1669
French
1600-1682
Claude Lorrain Galleries
In Rome, not until the mid-17th century were landscapes deemed fit for serious painting. Northern Europeans, such as the Germans Elsheimer and Brill, had made such views pre-eminent in some of their paintings (as well as Da Vinci in his private drawings or Baldassarre Peruzzi in his decorative frescoes of vedute); but not until Annibale Carracci and his pupil Domenichino do we see landscape become the focus of a canvas by a major Italian artist. Even with the latter two, as with Lorrain, the stated themes of the paintings were mythic or religious. Landscape as a subject was distinctly unclassical and secular. The former quality was not consonant with Renaissance art, which boasted its rivalry with the work of the ancients. The second quality had less public patronage in Counter-Reformation Rome, which prized subjects worthy of "high painting," typically religious or mythic scenes. Pure landscape, like pure still-life or genre painting, reflected an aesthetic viewpoint regarded as lacking in moral seriousness. Rome, the theological and philosophical center of 17th century Italian art, was not quite ready for such a break with tradition.
In this matter of the importance of landscape, Lorrain was prescient. Living in a pre-Romantic era, he did not depict those uninhabited panoramas that were to be esteemed in later centuries, such as with Salvatore Rosa. He painted a pastoral world of fields and valleys not distant from castles and towns. If the ocean horizon is represented, it is from the setting of a busy port. Perhaps to feed the public need for paintings with noble themes, his pictures include demigods, heroes and saints, even though his abundant drawings and sketchbooks prove that he was more interested in scenography.
Lorrain was described as kind to his pupils and hard-working; keenly observant, but an unlettered man until his death. The painter Joachim von Sandrart is an authority for Claude's life (Academia Artis Pictoriae, 1683); Baldinucci, who obtained information from some of Claude's immediate survivors, relates various incidents to a different effect (Notizie dei professoni del disegno).
John Constable described Claude Lorrain as "the most perfect landscape painter the world ever saw", and declared that in Claude??s landscape "all is lovely ?C all amiable ?C all is amenity and repose; the calm sunshine of the heart"