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Claude Lorrain Oil Painting Reproductions
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Claude Lorrain Landscape with Goatherd oil


Claude Lorrain
Landscape with Goatherd
Painting ID::  2580
Claude Lorrain1.jpg 		Landscape with Goatherd
1636 National Gallery, London
   
   
     
Claude Lorrain Seaport : The Embarkation of St.Ursula oil


Claude Lorrain
Seaport : The Embarkation of St.Ursula
Painting ID::  2581
Claude Lorrain2.jpg 		Seaport : The Embarkation of St.Ursula
1641 National Gallery, London
   
   
     
Claude Lorrain Landscape with the Marriage of Isaac and Rebekah oil


Claude Lorrain
Landscape with the Marriage of Isaac and Rebekah
Painting ID::  2582
Claude Lorrain3.jpg 		Landscape with the Marriage of Isaac and Rebekah
1648 National Gallery, London
   
   
     
Claude Lorrain View of La Crescenza oil


Claude Lorrain
View of La Crescenza
Painting ID::  2583
Claude Lorrain4.jpg 		View of La Crescenza
1648-50 Metropolitan Museum of Art, New York
   
   
     
Claude Lorrain The Trojan Women Setting Fire to their Fleet oil


Claude Lorrain
The Trojan Women Setting Fire to their Fleet
Painting ID::  2584
Claude Lorrain5.jpg 		The Trojan Women Setting Fire to their Fleet
Metropolitan Museum of Art, New York
   
   
     
Claude Lorrain Port with Villa Medici oil


Claude Lorrain
Port with Villa Medici
Painting ID::  2585
Claude Lorrain6.jpg 		Port with Villa Medici
1637 Galleria degli Uffizi, Florence
   
   
     
Claude Lorrain The Disembarkation of Cleopatra at Tarsus oil


Claude Lorrain
The Disembarkation of Cleopatra at Tarsus
Painting ID::  2586
Claude Lorrain7.jpg 		The Disembarkation of Cleopatra at Tarsus
1642 Musee du Louvre, Paris
   
   
     
Claude Lorrain Seaport at Sunset oil


Claude Lorrain
Seaport at Sunset
Painting ID::  2587
Claude Lorrain8.jpg 		Seaport at Sunset
1639 Musee du Louvre, Paris
   
   
     
Claude Lorrain Landscape with the Finding of Moses oil


Claude Lorrain
Landscape with the Finding of Moses
Painting ID::  2588
Claude Lorrain9.jpg 		Landscape with the Finding of Moses
1638 Museo del Prado, Madrid
   
   
     
Claude Lorrain Landscape with the Embarkation of Saint Paula Romana at Ostia oil


Claude Lorrain
Landscape with the Embarkation of Saint Paula Romana at Ostia
Painting ID::  2589
Claude Lorrain10.jpg 		Landscape with the Embarkation of Saint Paula Romana at Ostia
1639 Museo del Prado, Madrid
   
   
     
Claude Lorrain The Rest on the Flight into Egypt oil


Claude Lorrain
The Rest on the Flight into Egypt
Painting ID::  2590
Claude Lorrain11.jpg 		The Rest on the Flight into Egypt
1651 The Hermitage, St.Petersburg
   
   
     
Claude Lorrain The Departure of Hagar and Ishmael oil


Claude Lorrain
The Departure of Hagar and Ishmael
Painting ID::  2591
Claude Lorrain12.jpg 		The Departure of Hagar and Ishmael
1668 Pinakothek, Munich
   
   
     
Claude Lorrain A Seaport oil


Claude Lorrain
A Seaport
Painting ID::  2592
Claude Lorrain13.jpg 		A Seaport
1674 Pinakothek, Munich
   
   
     
Claude Lorrain Landscape with Ascanius Shooting the Stag of Silvia oil


Claude Lorrain
Landscape with Ascanius Shooting the Stag of Silvia
Painting ID::  2593
Claude Lorrain14.jpg 		Landscape with Ascanius Shooting the Stag of Silvia
1682 Ashmolean Museum, Oxford
   
   
     
Claude Lorrain The Judgment of Paris oil


Claude Lorrain
The Judgment of Paris
Painting ID::  2594
Claude Lorrain15.jpg 		The Judgment of Paris
1645-46 National Gallery of Art, Washington DC
   
   
     
Claude Lorrain Landscape with Merchants sdfg oil


Claude Lorrain
Landscape with Merchants sdfg
Painting ID::  6063
Claude Lorrain16.jpg 		Landscape with Merchants sdfg
c. 1630 Oil on canvas, 97,2 x 143,6 cm National Gallery of Art, Washington
   
   
     
Claude Lorrain The Campo Vaccino, Rome dfg oil


Claude Lorrain
The Campo Vaccino, Rome dfg
Painting ID::  6064
Claude Lorrain17.jpg 		The Campo Vaccino, Rome dfg
Oil on canvas, 56 x 72 cm Mus??e du Louvre, Paris
   
   
     
Claude Lorrain Port Scene with the Villa Medici dfg oil


Claude Lorrain
Port Scene with the Villa Medici dfg
Painting ID::  6065
Claude Lorrain18.jpg 		Port Scene with the Villa Medici dfg
1637 Oil on canvas, 102 x 133 cm Galleria degli Uffizi, Florence
   
   
     
Claude Lorrain Landscape with the Finding of Moses sdfg oil


Claude Lorrain
Landscape with the Finding of Moses sdfg
Painting ID::  6066
Claude Lorrain19.jpg 		Landscape with the Finding of Moses sdfg
7-39 Oil on canvas, 209 x 138 cm Museo del Prado, Madrid
   
   
     
Claude Lorrain Port Scene with the Embarkation of St Ursula fgh oil


Claude Lorrain
Port Scene with the Embarkation of St Ursula fgh
Painting ID::  6068
Claude Lorrain21.jpg 		Port Scene with the Embarkation of St Ursula fgh
1641 Oil on canvas, 113 x 149 cm National Gallery, London
   
   
     
Claude Lorrain The Disembarkation of Cleopatra at Tarsus dfg oil


Claude Lorrain
The Disembarkation of Cleopatra at Tarsus dfg
Painting ID::  6069
Claude Lorrain22.jpg 		The Disembarkation of Cleopatra at Tarsus dfg
1642-43 Oil on canvas, 119 x 170 cm Mus??e du Louvre, Paris
   
   
     
Claude Lorrain Italian Coastal Landscape dfb oil


Claude Lorrain
Italian Coastal Landscape dfb
Painting ID::  6070
Claude Lorrain23.jpg 		Italian Coastal Landscape dfb
1642 Oil on canvas, 97 x 131 cm Staatliche Museen, Berlin
   
   
     
Claude Lorrain Imaginary View of Tivoli dfg oil


Claude Lorrain
Imaginary View of Tivoli dfg
Painting ID::  6071
Claude Lorrain24.jpg 		Imaginary View of Tivoli dfg
1642 Oil on canvas, 21,6 x 25,8 cm Courtauld Institute Galleries, London
   
   
     
Claude Lorrain Marine with the Trojans Burning their Boats dfg oil


Claude Lorrain
Marine with the Trojans Burning their Boats dfg
Painting ID::  6072
Claude Lorrain25.jpg 		Marine with the Trojans Burning their Boats dfg
1643 Oil on canvas, 105 x 152 cm Metropolitan Museum of Art, New York
   
   
     
Claude Lorrain Harbour Scene with Grieving Heliades dfg oil


Claude Lorrain
Harbour Scene with Grieving Heliades dfg
Painting ID::  6073
Claude Lorrain26.jpg 		Harbour Scene with Grieving Heliades dfg
c. 1640 Oil on canvas, 125,5 x 175,5 cm Wallraf-Richartz Museum, Cologne
   
   
     
Claude Lorrain Harbour Scene at Sunset fg oil


Claude Lorrain
Harbour Scene at Sunset fg
Painting ID::  6074
Claude Lorrain27.jpg 		Harbour Scene at Sunset fg
1643 Oil on canvas, 74 x 99 cm Royal Collection, Windsor
   
   
     
Claude Lorrain Harbour Scene gf oil


Claude Lorrain
Harbour Scene gf
Painting ID::  6075
Claude Lorrain28.jpg 		Harbour Scene gf
Pen, grey-brown wash on blue paper, 190 x 259 mm British Museum, London
   
   
     
Claude Lorrain Ulysses Returns Chryseis to her Father vgh oil


Claude Lorrain
Ulysses Returns Chryseis to her Father vgh
Painting ID::  6076
Claude Lorrain29.jpg 		Ulysses Returns Chryseis to her Father vgh
1648 Oil on canvas, 119 x 150 cm Mus??e du Louvre, Paris
   
   
     
Claude Lorrain Landscape with Shepherds The Pont Molle fgh oil


Claude Lorrain
Landscape with Shepherds The Pont Molle fgh
Painting ID::  6077
Claude Lorrain30.jpg 		Landscape with Shepherds The Pont Molle fgh
1645 Oil on canvas, 74 x 97 cm City Art Gallery, Birmingham
   
   
     
Claude Lorrain Landscape with Cephalus and Procris Reunited by Diana sdf oil


Claude Lorrain
Landscape with Cephalus and Procris Reunited by Diana sdf
Painting ID::  6078
Claude Lorrain31.jpg 		Landscape with Cephalus and Procris Reunited by Diana sdf
1645 Oil on canvas, 102 x 132 cm National Gallery, London
   
   
     
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     Claude Lorrain
     French 1600-1682 Claude Lorrain Galleries In Rome, not until the mid-17th century were landscapes deemed fit for serious painting. Northern Europeans, such as the Germans Elsheimer and Brill, had made such views pre-eminent in some of their paintings (as well as Da Vinci in his private drawings or Baldassarre Peruzzi in his decorative frescoes of vedute); but not until Annibale Carracci and his pupil Domenichino do we see landscape become the focus of a canvas by a major Italian artist. Even with the latter two, as with Lorrain, the stated themes of the paintings were mythic or religious. Landscape as a subject was distinctly unclassical and secular. The former quality was not consonant with Renaissance art, which boasted its rivalry with the work of the ancients. The second quality had less public patronage in Counter-Reformation Rome, which prized subjects worthy of "high painting," typically religious or mythic scenes. Pure landscape, like pure still-life or genre painting, reflected an aesthetic viewpoint regarded as lacking in moral seriousness. Rome, the theological and philosophical center of 17th century Italian art, was not quite ready for such a break with tradition. In this matter of the importance of landscape, Lorrain was prescient. Living in a pre-Romantic era, he did not depict those uninhabited panoramas that were to be esteemed in later centuries, such as with Salvatore Rosa. He painted a pastoral world of fields and valleys not distant from castles and towns. If the ocean horizon is represented, it is from the setting of a busy port. Perhaps to feed the public need for paintings with noble themes, his pictures include demigods, heroes and saints, even though his abundant drawings and sketchbooks prove that he was more interested in scenography. Lorrain was described as kind to his pupils and hard-working; keenly observant, but an unlettered man until his death. The painter Joachim von Sandrart is an authority for Claude's life (Academia Artis Pictoriae, 1683); Baldinucci, who obtained information from some of Claude's immediate survivors, relates various incidents to a different effect (Notizie dei professoni del disegno). John Constable described Claude Lorrain as "the most perfect landscape painter the world ever saw", and declared that in Claude??s landscape "all is lovely ?C all amiable ?C all is amenity and repose; the calm sunshine of the heart"

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