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Charles Landelle Oil Painting Reproductions

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Charles Landelle Jeune fille arabe de Tougourth (mk32) oil


Charles Landelle
Jeune fille arabe de Tougourth (mk32)
Painting ID::  25223
new8/Charles Landelle-275948.jpg
Jeune fille arabe de Tougourth (mk32)
huile sur toile signee et datee Biskra 1890 162 x 101.5 cm Coll Part
   
   
     

Charles Landelle Peasant Woman oil


Charles Landelle
Peasant Woman
Painting ID::  39979
new12/Charles Landelle-559787.jpg
Peasant Woman
mk155 1866 Oil on canvas 131.5x84cm
   
   
     

Charles Landelle Jewish Girl in Tangiers oil


Charles Landelle
Jewish Girl in Tangiers
Painting ID::  40007
new12/Charles Landelle-535566.jpg
Jewish Girl in Tangiers
mk155 Undated Oil on canvas 61.4x50.5cm
   
   
     

Charles Landelle Egyptian Woman oil


Charles Landelle
Egyptian Woman
Painting ID::  51780
new19/Charles Landelle-375892.jpg
Egyptian Woman
mk221 1866 Oil on canvas 72x59cm
   
   
     

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     Charles Landelle
     1812-1908 French painter. His father, a calligrapher and musician from Mayenne, moved to Paris in 1825 to take up a post as musician in the Tuileries. Ary Scheffer, whom Landelle met through his father's contact with the Orleans court, encouraged him to become a painter. He registered at the Ecole des Beaux-Arts on 2 October 1837 as a pupil of Paul Delaroche and made his debut at the Salon in 1841 with a Self-portrait (Laval, Mus. Vieux-Cheteau). His first success, Fra Angelico asking God for Inspiration , indicated a sentimental, religious tendency in his work, which alternated with pretty pictures of young girls. Charity. commissioned by Antoine Vivenel (1799-1862), was followed by Idyll and Elegy (untraced), which were bought by the dealer Adolphe Goupil on the opening day of the 1844 Salon. The contract to buy also included Goupil's right of first refusal on the reproduction of all Landelle's future work. Subsequently, he painted the Three Marys at the Tomb in the pious manner of Ary Scheffer and a sweet, angelic St Cecilia, commissioned in 1845 by the Prefect of the Seine, in which elements of the early Renaissance art seen by Landelle on a trip to Italy in 1845 combined with the soft, pale style common among some of his colleagues from the studio of Delaroche. He also painted religious works for St Roch (1850), St Germain l'Auxerrois (1856) and St Sulpice (1875) churches in Paris.

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