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Carlos Schwabe Oil Painting Reproductions

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Carlos Schwabe Study for The Wave female figure left of the central figure (mk19) oil


Carlos Schwabe
Study for The Wave female figure left of the central figure (mk19)
Painting ID::  22258
new7/Carlos Schwabe-254726.jpg
Study for The Wave female figure left of the central figure (mk19)
1906 Mixed media on board,66.2 x 48 cm Musee d'Art et d'Histoire,Geneva
   
   
     

Carlos Schwabe Poster of the first Rose Croix salon (mk19) oil


Carlos Schwabe
Poster of the first Rose Croix salon (mk19)
Painting ID::  22276
new7/Carlos Schwabe-334649.jpg
Poster of the first Rose Croix salon (mk19)
1892 Lithograph,199 x 80 cm Private collection
   
   
     

Carlos Schwabe The Grave-Digger's Death (mk19) oil


Carlos Schwabe
The Grave-Digger's Death (mk19)
Painting ID::  22325
new7/Carlos Schwabe-795784.jpg
The Grave-Digger's Death (mk19)
1895-1900 Water-colour and gouache,75 x 55.5 cm Cabinet des dessins,Musee du Louvre,Paris
   
   
     

Carlos Schwabe Study for The Wave,feminine figure,back right Mixed media on board (mk19) oil


Carlos Schwabe
Study for The Wave,feminine figure,back right Mixed media on board (mk19)
Painting ID::  22326
new7/Carlos Schwabe-528978.jpg
Study for The Wave,feminine figure,back right Mixed media on board (mk19)
66.2 x 48 cm Musee d'Art et d'Histoire,Geneva
   
   
     

Carlos Schwabe Pain (mk19) oil


Carlos Schwabe
Pain (mk19)
Painting ID::  22327
new7/Carlos Schwabe-423929.jpg
Pain (mk19)
1893 Oil on canvas,155 x 104 cm Musee d'Art et d'Histoire,Geneva
   
   
     

Carlos Schwabe La vague oil


Carlos Schwabe
La vague
Painting ID::  86390
new25/Carlos Schwabe-335389.jpg
La vague
oil on canvas, 196 x 116 cm Mus x e d'art et d'histoire, Geneve cyf
   
   
     

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     Carlos Schwabe
     German Symbolist Painter, 1877-1926 Swiss painter and printmaker of German birth. He became a Swiss citizen and received his artistic training under Joseph Mittey (b 1853) at the Ecole des Arts Decoratifs in Geneva. Following brief success there, Schwabe moved to Paris where he supported himself as a designer of wallpaper while he developed considerable graphic skills. He soon became active in Symbolist circles, winning favour as an illustrator of mystical religious themes. His highly refined drawings and watercolours accompany texts such as Le Reve by Emile Zola (published 1892; drawings, Paris, Pompidou; exhibited Sociot Nationale des Beaux-Arts, also in 1892), Baudelaire's Les Fleurs du mal (1900), Maeterlinck's Pellias et Melisande, Catulle Mendes's L'Evangile de l'enfance de notre Seigneur Jesus-Christ selon Saint Pierre (1900) and Albert Samain's Jardin de l'Infante (1908).

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