CRIVELLI, Carlo Annunciation with St Emidius fg Painting ID:: 6324 CRIVELLI, Carlo1.jpg
Annunciation with St Emidius fg 1486
Oil on wood transferred to canvas, 207 x 146,5 cm
National Gallery, London
CRIVELLI, Carlo Lamentation over the Dead Christ fdg Painting ID:: 6326 CRIVELLI, Carlo3.jpg
Lamentation over the Dead Christ fdg 1485
Tempera on panel
Museum of Fine Arts, Boston
CRIVELLI, Carlo The Madonna of the Taper dfg Painting ID:: 6327 CRIVELLI, Carlo4.jpg
The Madonna of the Taper dfg Panel, 218 x 75 cm
Pinacoteca di Brera, Milan
CRIVELLI, Carlo Madonna and Child; St Francis of Assisi dfg Painting ID:: 6328 CRIVELLI, Carlo5.jpg
Madonna and Child; St Francis of Assisi dfg 1471-72
Wood, 183 x 59,5 cm (each)
Mus??es Royaux des Beaux-Arts, Brussels
CRIVELLI, Carlo Pieta 124 Painting ID:: 6330 CRIVELLI, Carlo7.jpg
Pieta 124 Oil on wood
Pinacoteca, Vatican
CRIVELLI, Carlo St Jerome and St Augustine dsfg Painting ID:: 6331 CRIVELLI, Carlo8.jpg
St Jerome and St Augustine dsfg c. 1490
Tempera on wood, 187 x 72 cm
Gallerie dell'Accademia, Venice
CRIVELLI, Carlo Virgin and Child dfg Painting ID:: 6332 CRIVELLI, Carlo9.jpg
Virgin and Child dfg 1490s
Tempera on panel
Victoria and Albert Museum, London
CRIVELLI, Carlo Virgin and Child Enthroned sdf Painting ID:: 6333 CRIVELLI, Carlo10.jpg
Virgin and Child Enthroned sdf around 1476
Panel, 106,5 x 55,3 cm
Museum of Fine Arts, Budapest
CRIVELLI, Carlo Virgin and Child Enthroned around Painting ID:: 64696 new22/CRIVELLI, Carlo-457426.jpg
Virgin and Child Enthroned around 1476 Panel, 106,5 x 55,3 cm Museum of Fine Arts, Budapest Crivelli was one of the busiest painters in Venice during the second half of the fifteenth century and was responsible for many altarpieces in small churches in Veneto and in the Marches. Adapting himself to the conservative taste of his patrons, he painted in an archaic style based on Gothic tradition; his Madonnas are usually frontally posed and seen against a gold background of Bysantine splendor. There is but little movement and few details from nature, the composition being solemn and strictly linear. Only the pure and sure design of the faces and the lavishly applied festoons of flowers and fruits testify to Crivelli's being a master of the fifteenth century, a Renaissance artist with a style of his own. The "Virgin and Child Enthroned" was formerly the central panel of a polyptych in the church of San Domenico at Ascoli Piceno. The representaion of saints from the wings are in the National Gallery in London. *** Keywords: ************* Author: CRIVELLI, Carlo Title: Virgin and Child Enthroned, 1451-1500, Italian , painting , religious
Italian Early Renaissance Painter, ca.1430-1495
He produced many large, multi-partite altarpieces in which his highly charged, emotional use of line, delight in detail, decoration and citric colours, often set against a gold ground, convey an intensity of expression unequalled elsewhere in Italy. His mastery of perspective was also used for dramatic impact. As he worked in isolation in the Marches, his style only had local influence. In the 19th century,