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CAPRIOLO, Domenico Oil Painting Reproductions
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CAPRIOLO, Domenico Portrait of a Man df oil


CAPRIOLO, Domenico
Portrait of a Man df
Painting ID::  5708
CAPRIOLO, Domenico1.jpg 		Portrait of a Man df
1511 Oil on canvas, 117 x 85 cm The Hermitage, St. Petersburg
   
   
     
CAPRIOLO, Domenico Portrait of a Gentleman oil


CAPRIOLO, Domenico
Portrait of a Gentleman
Painting ID::  29295
new3/CAPRIOLO, Domenico-546654.jpg 		Portrait of a Gentleman
mk65 1512 Oil on canvas 46x33 1/2"
   
   
     
CAPRIOLO, Domenico Portrait of a man oil


CAPRIOLO, Domenico
Portrait of a man
Painting ID::  40981
new16/CAPRIOLO, Domenico-382274.jpg 		Portrait of a man
mk159 1512 Oil on canvas 117x85CM
   
   
     
CAPRIOLO, Domenico Self portrait oil


CAPRIOLO, Domenico
Self portrait
Painting ID::  81730
new24/CAPRIOLO, Domenico-398466.jpg 		Self portrait
1512(1512) Medium Oil on canvas cyf
   
   
     
CAPRIOLO, Domenico Self rtrait oil


CAPRIOLO, Domenico
Self rtrait
Painting ID::  82916
new24/CAPRIOLO, Domenico-956678.jpg 		Self rtrait
1512(1512) Medium Oil on canvas cyf
   
   
     
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     CAPRIOLO, Domenico
     Italian painter, Venetian school (b. 1494, Venezia, d. 1528, Treviso) Italian painter. He moved from Venice to Treviso c. 1517, where he is well documented (though there is little about his painting). In 1518-19 he married Camilla, daughter of the painter Pier Maria Pennacchi. A coherent body of work executed between 1518 and 1528 has been reconstructed. Capriolo's first secure work, the Adoration of the Shepherds (Treviso, Mus. Civ.), signed and dated 1518, has a formal structure reminiscent of the late style of Giovanni Bellini, with the broader chromatic range of Palma Vecchio and a crepuscular light that recalls the Venetian works of Giovanni Girolamo Savoldo or Giovanni da Asola ( fl 1512-31). The Assumption in Treviso Cathedral, commissioned in 1520, shows, in its spiralling movement, the influence of the contemporary frescoes of Pordenone in the nearby Malchiostro Chapel. In the Legend of the Doubting Midwife (Treviso, Mus. Civ.), signed and dated 1524, the influence of Savoldo is greater than that of Palma. This is also apparent in the altarpiece of the parish church of Ponzano Veneto (Treviso), dated 1525. The portrait of Lelio Torelli (Barnard Castle, Bowes Mus.), signed and dated 1528, Capriolo's last known work, seems by contrast to reflect local models of portraiture and lies somewhere between the styles of Sebastiano Florigerio and Bernardino Licinio. Other works assigned to Capriolo include: the altarpieces of the parish churches of Cavasagra and Spercenigo, near Treviso; the Adoration of the Shepherds in the sacristy of Serravalle Cathedral at Vittorio Veneto; a fragment of a Nativity (Venice, Mus. Correr); two paintings of the Virgin and Child with Saints (Bucharest, Mus. A.; Conegliano, Mus. Civ. Castello).

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