Bihzad Building ot Castle Khawarnaq,wherein the chamber of the seven icons will be hidden Painting ID:: 34120 new10/Bihzad-392862.jpg
Building ot Castle Khawarnaq,wherein the chamber of the seven icons will be hidden mk90
illustration by Bihzad to Nizamis Seven Lcons.
Bihzad Details from Caliph al Ma mun in his bath Painting ID:: 34128 new10/Bihzad-276648.jpg
Details from Caliph al Ma mun in his bath mk90
Bihzad Details from Caliph al Ma mun in his bath Painting ID:: 34129 new10/Bihzad-923356.jpg
Details from Caliph al Ma mun in his bath mk90
Bihzad Timur enthroned and holding the white kerchief of rule Painting ID:: 34133 new10/Bihzad-829938.jpg
Timur enthroned and holding the white kerchief of rule mk90
for the Zafar Nameh
Bihzad Sultan Sanjar and the wildow Painting ID:: 34137 new10/Bihzad-576553.jpg
Sultan Sanjar and the wildow mk90
Illustration to Nizami s Treasury of Secrets
Bihzad Capture of a city Painting ID:: 34145 new10/Bihzad-864954.jpg
Capture of a city mk90
unfinished illustration
attributed to Bihzad
c.1490
Bihzad Timur enthroned Painting ID:: 34149 new10/Bihzad-343562.jpg
Timur enthroned mk90
Illustration by Bihzad
Bihzad The Master of the garden espies the maidens bathing in his pool Painting ID:: 34163 new10/Bihzad-753557.jpg
The Master of the garden espies the maidens bathing in his pool mk90
Illustration by Bihzad to Nizami\'s Tale of the Princess of the White Pavilion.
Bihzad Sikanar overcomes the Hosts of Dara Painting ID:: 34170 new10/Bihzad-368292.jpg
Sikanar overcomes the Hosts of Dara mk90
Illustration by Bihzad to the Sharaf Nameh The Book of Nobility
The first part of Nizami\'s Alexander romance,Khamseh.
Bihzad Study Painting ID:: 34173 new10/Bihzad-729686.jpg
Study mk90
Attrbuted to Bihzad,for a portrati of Sultan Husayn Mirza.
Bihzad Building the Great Mosque of Samarkand Painting ID:: 34175 new10/Bihzad-879764.jpg
Building the Great Mosque of Samarkand mk90
Illustration by Bilzad
Bihzad Portrait of the poet Hatifi,Jami s nephew,seen here wearing a shi ite turban Painting ID:: 34179 new10/Bihzad-387944.jpg
Portrait of the poet Hatifi,Jami s nephew,seen here wearing a shi ite turban mk90
Painting by Bihzad,Herat
1511
Bihzad Portrait of the Uzbek emir Shaybani Khan,seen here wearing a Sunni turban Painting ID:: 34180 new10/Bihzad-973797.jpg
Portrait of the Uzbek emir Shaybani Khan,seen here wearing a Sunni turban mk90
Attributed in the upper margin to Bihzad
Herat 1507-10
Bihzad Old man and youth Painting ID:: 34182 new10/Bihzad-665776.jpg
Old man and youth mk90
Apparently signed by Bihzad,Illustration for an anthology of Poetry.
Bihzad Tamerlane leading the assault of the castle of the knights of the Hospitallers of Saint john at Smyrna Painting ID:: 34184 new10/Bihzad-238289.jpg
Tamerlane leading the assault of the castle of the knights of the Hospitallers of Saint john at Smyrna mk90
Illustration by Bihzad or his workshop for the Zafar Nameh
Bihzad His Ministers plead with the Sasanian king Hurmuzd to forgive his son Khusro Painting ID:: 34185 new10/Bihzad-554449.jpg
His Ministers plead with the Sasanian king Hurmuzd to forgive his son Khusro mk90
Illustration attributed to Bihzad from the romance Prince Kusro and Queen Shirin in Nizami\'s Khamseh copied for the Timurid emir Ali Farsi Barlas
Herat
1494-95
Bihzad A shaykh in the prayer niche of a mosque Painting ID:: 34186 new10/Bihzad-626689.jpg
A shaykh in the prayer niche of a mosque mk90
Detail of an illustration by Bihzad for sa di\'s Bustan
Herat
1488-89
Bihzad The poet Nizami Painting ID:: 34188 new10/Bihzad-759676.jpg
The poet Nizami mk90
Detail of an illustration attributed to Bihzad for Nizami\'s Layli and Majnun
Herat
1494-95
Bihzad A dervish awed by a prince s tajalli Painting ID:: 34191 new10/Bihzad-564296.jpg
A dervish awed by a prince s tajalli mk90
Illustration to Attar\'s Parliament of Fowles
Usually attributed to Bihzad
Bihzad The Gatekeeper denies entrance by one unworthy of the garden Painting ID:: 34192 new10/Bihzad-854856.jpg
The Gatekeeper denies entrance by one unworthy of the garden mk90
Details of the Frontispiece to the Bustan
by Mirak or Bihzad,Samen Manuscript
Bihzad A Poor dervish deserves,through his wisdom,to replace the arrogant cadi in the mosque Painting ID:: 34193 new10/Bihzad-643579.jpg
A Poor dervish deserves,through his wisdom,to replace the arrogant cadi in the mosque mk90
Illustration by Bihzad for the Bustan
Bihzad King Darius and the Herdsman Painting ID:: 34196 new10/Bihzad-369868.jpg
King Darius and the Herdsman mk90
Illustration by Bihzad for the Bustan
Bihzad A dervish begs to be admitted in the mosque Painting ID:: 34197 new10/Bihzad-465667.jpg
A dervish begs to be admitted in the mosque mk90
Illustration by Bihzad for the Bustan
Bihzad Zulaykha attempts to seduce joseph in her palace Painting ID:: 34198 new10/Bihzad-956586.jpg
Zulaykha attempts to seduce joseph in her palace mk90
Illustration by Bihzad for the Bustan
Bihzad Portrait of jami leaning on a staff,with another scholar of Sultan Husayn-s court Painting ID:: 34199 new10/Bihzad-882896.jpg
Portrait of jami leaning on a staff,with another scholar of Sultan Husayn-s court mk90
Detail of a painting by Bihzad
1494-95
Bihzad Alexander or Sikandar annuls the magic of the malevolent idol at the entrance to the ocean Painting ID:: 34203 new10/Bihzad-749598.jpg
Alexander or Sikandar annuls the magic of the malevolent idol at the entrance to the ocean mk90
While the wise Apollonius or Balinas consults his astrolabe.
Bihzad the theophany through Layli sitting framed within the prayer niche Painting ID:: 34206 new10/Bihzad-276993.jpg
the theophany through Layli sitting framed within the prayer niche mk90
1494-95
Bihzad Alexander and the hermit Painting ID:: 34215 new10/Bihzad-757776.jpg
Alexander and the hermit mk90
Illustration by Bihzad to Nizami s Alexander romance
Herat
1494-95
British Library
Bihzad The Crescent moon turned downwards Painting ID:: 34217 new10/Bihzad-568866.jpg
The Crescent moon turned downwards mk90
Detail from Alexander and the Hermit
the period of 1465-153
Persian illustrator. The most famous master of Persian painting, he is important both for the paintings he executed and for the wider influence of the style associated with his name. Evidently orphaned at a young age, Bihzad is said to have been raised and trained by MIRAK, a painter and calligrapher employed in Herat by Husayn Bayqara.