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Bernaert Van Orley Oil Painting Reproductions
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Bernaert Van Orley Altar to SS Thomas and Matthias oil


Bernaert Van Orley
Altar to SS Thomas and Matthias
Painting ID::  39645
new12/Bernaert Van Orley-335788.jpg 		Altar to SS Thomas and Matthias
mk150 Oak 140x180cm
   
   
     
Bernaert Van Orley Jonis van Zelle oil


Bernaert Van Orley
Jonis van Zelle
Painting ID::  40317
new12/Bernaert Van Orley-324994.jpg 		Jonis van Zelle
mk156 1519 Oil on oak 39x32cm
   
   
     
Bernaert Van Orley Portrait of Charles V oil


Bernaert Van Orley
Portrait of Charles V
Painting ID::  43568
new16/Bernaert Van Orley-992745.jpg 		Portrait of Charles V
1519-20 Oil on wood, 711,5 x 51,5 cm
   
   
     
Bernaert Van Orley Altarpiece of Calvary oil


Bernaert Van Orley
Altarpiece of Calvary
Painting ID::  51048
new18/Bernaert Van Orley-696289.jpg 		Altarpiece of Calvary
c. 1534 Wood
   
   
     
Bernaert Van Orley Altarpiece of Calvary oil


Bernaert Van Orley
Altarpiece of Calvary
Painting ID::  51049
new18/Bernaert Van Orley-994628.jpg 		Altarpiece of Calvary
c. 1534 Wood
   
   
     
Bernaert Van Orley Triptych of Virtue of Patience oil


Bernaert Van Orley
Triptych of Virtue of Patience
Painting ID::  51065
new18/Bernaert Van Orley-944673.jpg 		Triptych of Virtue of Patience
1521 Oil on oak, 176 x 184 cm
   
   
     
Bernaert Van Orley Triptych of Virtue of Patience oil


Bernaert Van Orley
Triptych of Virtue of Patience
Painting ID::  64257
new21/Bernaert Van Orley-649363.jpg 		Triptych of Virtue of Patience
1521 Oil on oak, 174 x 80 cm (each wing) Musees Royaux des Beaux-Arts, Brussels The triptych, which was very likely commissioned by Margaret of Austria, the governor of the Low Countries, depicts two biblical episodes illustrating the virtues of patience: the Book of Job and the parable of Lazarus the beggar and the rich man. Since the Middle Ages it had been common practice to draw a parallel between the resignation of Job and of Lazarus in the face of misfortune and the constancy of their faith in God. When closed, the triptych depicts the parable of Lazarus. At the bottom of the wings, divided into three symmetrical registers, Lazarus is dying at the rich man's gate, whilst the latter suffers eternal torment. The Italianate pose, and the monumentality and beauty of the nude are inspired by Raphael. In the centre, the rich man's feast, followed by his agony, take place in a sumptuous mansion. His wife, bringing him communion, and the physician, examining his urine, are looking after him whilst, in hell, two demons are torturing him, presenting him with a chalice writhing with serpents and a bowl filled with an infernal liquid. At the top, Lazarus' soul rises up to heaven in the form of a child, first held up by two angels in a transparent bubble, then in the bosom of Abraham. Van Orley creates his masterpiece by marrying the Flemish tradition with the new directions of Italian art and his own inventiveness. The result is a veritable profession of faith in the Renaissance, underlined by the artist's motto, "Elx syne tyt" (each in his time) inscribed on the pillar to the left of the central panel. , Artist: ORLEY, Bernaert van , Triptych of Virtue of Patience (closed) , 1501-1550 , Flemish , painting , religious
   
   
     
Bernaert Van Orley Vanitas oil


Bernaert Van Orley
Vanitas
Painting ID::  82774
new24/Bernaert Van Orley-448475.jpg 		Vanitas
Medium oil on panel Dimensions 42.5 x 56.6 cm cyf
   
   
     
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     Bernaert Van Orley
     Flemish Northern Renaissance Painter, ca.1488-1541, Painter and tapestry designer, son of Valentin van Orley. He was one of the greatest proponents of ROMANISM, a northern style based on the ideals of the Italian Renaissance. It must have been in Brussels, however, that he saw the Italian works of art that influenced him so profoundly, for it seems unlikely that he ever travelled to Italy. Brussels was then world-renowned as the centre for tapestry manufacture but was suffering from the ecliptic rise of Antwerp as the pre-eminent painting centre. The artist made the best of both situations, establishing himself as a leading designer for the Brussels tapestry industry and as a master in the Antwerp Guild of St Luke by 1517.

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