Baron Jean-Baptiste Regnault The Education of Achilles by the Centaur Chiron (mk05) Painting ID:: 20902 new6/Baron Jean-Baptiste Regnault-375299.jpg
The Education of Achilles by the Centaur Chiron (mk05) 1782
Canvas 103 x 84 1/2''(261 x 215 cm)Reception picture at the Academie Royale de Peinture et de Sculpture in 1783 Salons of 1783 and 1791;collection of the Academie Royale.INV 7282(MN)
Baron Jean-Baptiste Regnault The Origin of Painting: Dibutades Tracing the Portrait of a Shepherd Painting ID:: 44030 new16/Baron Jean-Baptiste Regnault-562699.jpg
The Origin of Painting: Dibutades Tracing the Portrait of a Shepherd 1785
Oil on canvas,
120 x 140 cm
Baron Jean-Baptiste Regnault The Genius of France between Liberty and Death Painting ID:: 44050 new16/Baron Jean-Baptiste Regnault-843457.jpg
The Genius of France between Liberty and Death 1795
Oil on canvas,
60 x 49 cm
Baron Jean-Baptiste Regnault The Three Graces Painting ID:: 71806 new23/Baron Jean-Baptiste Regnault-485388.jpg
The Three Graces Les Trois Grâces (The Three Graces), after an antique group now exhibited at the Library of the Duomo in Siena. Oil on canvas, 1797-1798.
Baron Jean-Baptiste Regnault L ORIGINE DE LA SCULPTURE OU PYGMALION PRIANT VENUS D ANIMER SA STATUE Painting ID:: 75248 new24/Baron Jean-Baptiste Regnault-986897.jpg
L ORIGINE DE LA SCULPTURE OU PYGMALION PRIANT VENUS D ANIMER SA STATUE Date 1786
Medium peinture X l'huile ; toile
Dimensions 120 X 140 cm (47.24 X 55.12 in)
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Baron Jean-Baptiste Regnault Portrait of Jean-Pierre Bachasson, comte de Montalivet Painting ID:: 76656 new24/Baron Jean-Baptiste Regnault-699789.jpg
Portrait of Jean-Pierre Bachasson, comte de Montalivet 1810(1810)
Oil on canvas
216 ?? 141 cm (85 ?? 55.5 in)
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Baron Jean-Baptiste Regnault Socrate arrachant Alcibiade du sein de la Volupte Painting ID:: 81313 new24/Baron Jean-Baptiste Regnault-984774.jpg
Socrate arrachant Alcibiade du sein de la Volupte Oil on canvas, 1791.
H. 46 cm (18 in.), W. 68 cm (26 ¾ in.)
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Baron Jean-Baptiste Regnault L'education d'Achille par le centaure Chiron Painting ID:: 81493 new24/Baron Jean-Baptiste Regnault-487489.jpg
L'education d'Achille par le centaure Chiron L'Éducation d'Achille par le centaure Chiron (Achilles educated by Chiron). Oil on canvas, 1782.
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Baron Jean-Baptiste Regnault Socrate arrachant Alcibiade du sein de la Volupte Painting ID:: 81647 new24/Baron Jean-Baptiste Regnault-699646.jpg
Socrate arrachant Alcibiade du sein de la Volupte Socrate arrachant Alcibiade du sein de la Voluptx (Socrates Tears Alcibiades from the Embrace of Sensual Pleasure). Oil on canvas, 1791.
Dimensions H. 46 cm (18 in.), W. 68 cm (26 ¾ in.)
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Baron Jean-Baptiste Regnault Socrate arrachant Alcibiade du sein de la Volupte Painting ID:: 82552 new24/Baron Jean-Baptiste Regnault-549735.jpg
Socrate arrachant Alcibiade du sein de la Volupte Oil on canvas, 1791.
Date
Dimensions H. 46 cm (18 in.), W. 68 cm (26 ¾ in.)
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Baron Jean-Baptiste Regnault Regnault Socrates Tears Alcibiades from the Embrace of Sensual Pleasure Painting ID:: 85349 new25/Baron Jean-Baptiste Regnault-385375.jpg
Regnault Socrates Tears Alcibiades from the Embrace of Sensual Pleasure Oil on canvas, 1791
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Baron Jean-Baptiste Regnault Socrates Tears Alcibiades from the Embrace of Sensual Pleasure Painting ID:: 85350 new25/Baron Jean-Baptiste Regnault-954576.jpg
Socrates Tears Alcibiades from the Embrace of Sensual Pleasure Oil on canvas, 1791.
Date
Dimensions H. 46 cm (18 in.), W. 68 cm (26 ¾ in.)
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Baron Jean-Baptiste Regnault The judgement of paris Painting ID:: 89554 new25/Baron Jean-Baptiste Regnault-848865.jpg
The judgement of paris 1820(1820)
Medium oil on canvas
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Baron Jean-Baptiste Regnault The Education of Achilles Painting ID:: 90075 new25/Baron Jean-Baptiste Regnault-898979.jpg
The Education of Achilles 1782(1782)
Medium oil on canvas
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Baron Jean-Baptiste Regnault The judement of Paris Painting ID:: 91112 new25/Baron Jean-Baptiste Regnault-833386.jpg
The judement of Paris 1820(1820)
Medium oil on canvas
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Paris 1754-1829
French painter. His first teacher was the history painter Jean Bardin, who took him to Rome in 1768. Back in Paris in 1772, he transferred to the studio of Nicolas-Bernard Lepicie. In 1776 he won the Prix de Rome with Alexander and Diogenes (Paris, Ecole N. Sup. B.-A.) and returned to Rome, where he was to spend the next four years at the Academie de France in the company of Jacques-Louis David and Jean-Francois-Pierre Peyron. While witnessing at first hand Peyron's development of a manner indebted to Poussin and David's conversion to Caravaggesque realism, Regnault inclined first towards a Late Baroque mode in a Baptism of Christ (untraced; recorded in two sketches and an etching), then, in Perseus Washing his Hands (1779; Louisville, KY, Speed A. Mus.), to the static Neo-classicism of Anton Raphael Mengs.