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BORDONE, Paris Oil Painting Reproductions
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BORDONE, Paris Allegory ghyj oil


BORDONE, Paris
Allegory ghyj
Painting ID::  5240
BORDONE, Paris1.jpg 		Allegory ghyj
1558-60 Oil on canvas, 110 x 131 cm The Hermitage, St. Petersburg
   
   
     
BORDONE, Paris Nude intp oil


BORDONE, Paris
Nude intp
Painting ID::  5241
BORDONE, Paris2.jpg 		Nude intp
Pencil and chalk on paper, 32 x 20 cm Galleria degli Uffizi, Florence
   
   
     
BORDONE, Paris The Presentation of the Ring fdhfd oil


BORDONE, Paris
The Presentation of the Ring fdhfd
Painting ID::  5242
BORDONE, Paris3.jpg 		The Presentation of the Ring fdhfd
1534 Oil on canvas, 370 x 301 cm Gallerie dell'Accademia, Venice
   
   
     
BORDONE, Paris Venus and Mars with Cupid oil


BORDONE, Paris
Venus and Mars with Cupid
Painting ID::  5243
BORDONE, Paris4.jpg 		Venus and Mars with Cupid
1559-60 Oil on canvas, 118 x 130,5 cm Galleria Doria-Pamphili, Rome
   
   
     
BORDONE, Paris The Venetian Lovers oil


BORDONE, Paris
The Venetian Lovers
Painting ID::  5244
BORDONE, Paris5.jpg 		The Venetian Lovers
Oil on canvas, 95 x 80 cm Pinacoteca di Brera, Milan
   
   
     
BORDONE, Paris Hieronimus Kraffter ou Crofft,marchand d'Augsbourg oil


BORDONE, Paris
Hieronimus Kraffter ou Crofft,marchand d'Augsbourg
Painting ID::  30979
new4/BORDONE, Paris-982445.jpg 		Hieronimus Kraffter ou Crofft,marchand d'Augsbourg
mk70 Toile H.1.07 L.0.86 Paris,Musee du Louvre
   
   
     
BORDONE, Paris Allegory oil


BORDONE, Paris
Allegory
Painting ID::  63835
new21/BORDONE, Paris-923976.jpg 		Allegory
1558-60 Oil on canvas, 110 x 131 cm The Hermitage, St. PetersburgArtist:BORDONE, Paris Title: Allegory Painted in 1501-1550 , Italian - - painting : mythological
   
   
     
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     BORDONE, Paris
     Italian High Renaissance Painter, 1500-1571 Bordone was born at Treviso, but had moved to Venice by late adolescence. He apprenticed briefly and unhappily (according to Vasari) with Titian. Vasari may have met the elder Bordone. From the 1520s, we have works by Bordone including the Holy Family in Florence, Sacra Conversazione with Donor (Glasgow), and Holy Family with St. Catherine (Hermitage Museum). The St. Ambrose and a Donor (1523) is now in Brera. In 1525-6, Bordone painted an altarpiece for the church of S. Agostino in Crema, a Madonna with St. Christopher and St George (now in the Palazzo Tadini collection at Lovere). A second altarpiece, Pentecost, is now in Brera gallery. In 1534-5, he painted his large-scale masterpiece for the Scuola di San Marco a canvas of the Fisherman delivering the Marriage Ring of Venice to the Doge (Accademia). However, when this latter painting is compared to the near-contemoporary, and structurally similar, Presentation of the Virgin, Bordone's limitations, his use of superior perspective, which creates dwarfed distant perspectives, and limited coloration relative to the brilliant tints of Titian. Bordone is best at his smaller cabinet pieces, showing half-figures, semi-undressed men and women from mythology or religious stories in a muscular interaction despite the crowded space.

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