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BOEL, Pieter Oil Painting Reproductions
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BOEL, Pieter Still-Life with Dead Wild-Duck gfh oil


BOEL, Pieter
Still-Life with Dead Wild-Duck gfh
Painting ID::  5210
BOEL, Pieter1.jpg 		Still-Life with Dead Wild-Duck gfh
Oil on canvas, 71 x 87 cm National Gallery, Prague
   
   
     
BOEL, Pieter Still-Life with Owl gfh oil


BOEL, Pieter
Still-Life with Owl gfh
Painting ID::  5211
BOEL, Pieter2.jpg 		Still-Life with Owl gfh
Oil on canvas, 68 x 93 cm Museum voor Schone Kunsten, Ghent
   
   
     
BOEL, Pieter Large Vanitas Still-Life gdh oil


BOEL, Pieter
Large Vanitas Still-Life gdh
Painting ID::  5212
BOEL, Pieter3.jpg 		Large Vanitas Still-Life gdh
1663 Oil on canvas, 207 x 260 cm Mus??e des Beaux-Arts, Lille
   
   
     
BOEL, Pieter South America, large parrot oil


BOEL, Pieter
South America, large parrot
Painting ID::  57295
new20/BOEL, Pieter-355666.jpg 		South America, large parrot
mk255 for in the years 1669-1671. 0.98 x 1.30 meters canvas. Paris, the Louvre
   
   
     
BOEL, Pieter Large Vanitas oil


BOEL, Pieter
Large Vanitas
Painting ID::  76041
new24/BOEL, Pieter-536938.jpg 		Large Vanitas
Date 1663(1663) Medium Oil on canvas Dimensions 207 x 260 cm cyf
   
   
     
BOEL, Pieter Allegorie der Verganglichkeit der Welt oil


BOEL, Pieter
Allegorie der Verganglichkeit der Welt
Painting ID::  76105
new24/BOEL, Pieter-668897.jpg 		Allegorie der Verganglichkeit der Welt
Date 1663 Medium Oil on canvas Dimensions 207 ?? 260 cm cyf
   
   
     
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     BOEL, Pieter
     Flemish Baroque Era Painter, 1622-1674 Flemish painter, draughtsman and etcher. He came from an artistic family: his father Jan Boel (1592-1640), was an engraver, publisher and art dealer; his uncle Quirin Boel I was an engraver; and his brother Quirin Boel II (1620-40) was also a printmaker. Pieter was probably apprenticed in Antwerp to Jan Fyt, but may have studied previously with Frans Snyders. He then went to Italy, probably visiting Rome and Genoa, where he is supposed to have stayed with Cornelis de Wael. None of Boel's work from this period is known. In 1650 he became a master in the Antwerp Guild of St Luke (having given his first name as Jan, not Pieter). His marriage to Maria Blanckaert took place at about the same time. Boel dated only a few of his paintings, making it difficult to establish a chronology. He is best known for his hunting scenes, some of which clearly show his debt to Snyders, but the dominant influence on his work was that of Fyt, particularly evident in his emphatic brushwork. However, Boel was more restrained both in his treatment and in his handling of outline. He also borrowed the theme of open-air hunting still-lifes (e.g. Feathered Game with Three Dogs; Madrid, Prado) from Fyt, but he painted other subjects as well, such as the monumental Vanitas Still-life (e.g. 1633; Lille, Mus. B.-A.).

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