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BALDUNG GRIEN, Hans Oil Painting Reproductions

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BALDUNG GRIEN, Hans The Knight, the Young Girl, and Death ddww oil


BALDUNG GRIEN, Hans
The Knight, the Young Girl, and Death ddww
Painting ID::  4916
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The Knight, the Young Girl, and Death ddww
c. 1505 Oil on wood, 355 x 296 cm Mus??e du Louvre, Paris
   
   
     

BALDUNG GRIEN, Hans Eve, the Serpent, and Death oil


BALDUNG GRIEN, Hans
Eve, the Serpent, and Death
Painting ID::  4917
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Eve, the Serpent, and Death
1510-12 Panel National Gallery of Canada, Ottawa
   
   
     

BALDUNG GRIEN, Hans Adam fjj oil


BALDUNG GRIEN, Hans
Adam fjj
Painting ID::  4918
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Adam fjj
1524 Wood, 208 x 83,5 cm Museum of Fine Arts, Budapest
   
   
     

BALDUNG GRIEN, Hans Adam (detail) oil


BALDUNG GRIEN, Hans
Adam (detail)
Painting ID::  4919
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Adam (detail)
1524 Wood Museum of Fine Arts, Budapest
   
   
     

BALDUNG GRIEN, Hans Eve   lkioyi oil


BALDUNG GRIEN, Hans
Eve lkioyi
Painting ID::  4920
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Eve lkioyi
1524 Wood, 208 x 83,5 cm Museum of Fine Arts, Budapest
   
   
     

BALDUNG GRIEN, Hans Eve (detail)  l97 oil


BALDUNG GRIEN, Hans
Eve (detail) l97
Painting ID::  4921
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Eve (detail) l97
1524 Wood Museum of Fine Arts, Budapest
   
   
     

BALDUNG GRIEN, Hans Three Ages of the Woman and the Death  rt4 oil


BALDUNG GRIEN, Hans
Three Ages of the Woman and the Death rt4
Painting ID::  4922
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Three Ages of the Woman and the Death rt4
1510 Oil on limewood,48 x 32,5 cm Kunsthistorisches Museum, Vienna
   
   
     

BALDUNG GRIEN, Hans The Seven Ages of Woman ww oil


BALDUNG GRIEN, Hans
The Seven Ages of Woman ww
Painting ID::  4923
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The Seven Ages of Woman ww
Oil on oak-wood, 96,5 x 74 cm Museum der Bildenden K??nste, Leipzig
   
   
     

BALDUNG GRIEN, Hans Prudence   hhh oil


BALDUNG GRIEN, Hans
Prudence hhh
Painting ID::  4924
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Prudence hhh
1529 Oil on pine panel, 83 x 36 cm Alte Pinakothek, Munich
   
   
     

BALDUNG GRIEN, Hans Music   dertete oil


BALDUNG GRIEN, Hans
Music dertete
Painting ID::  4925
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Music dertete
1529 Oil on pine panel, 83 x 36 cm Alte Pinakothek, Munich
   
   
     

BALDUNG GRIEN, Hans Three Ages of Man and Three Graces oil


BALDUNG GRIEN, Hans
Three Ages of Man and Three Graces
Painting ID::  4926
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Three Ages of Man and Three Graces
1539 Oil on panel, 151 x 61 cm (each) Museo del Prado, Madrid
   
   
     

BALDUNG GRIEN, Hans Rest on the Flight to Egypt oil


BALDUNG GRIEN, Hans
Rest on the Flight to Egypt
Painting ID::  52004
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Rest on the Flight to Egypt
c. 1514 Oil on wood, 48,5 x 38,6 cm
   
   
     

BALDUNG GRIEN, Hans St John at Patmos oil


BALDUNG GRIEN, Hans
St John at Patmos
Painting ID::  52005
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St John at Patmos
c. 1515 Oil on wood, 87,3 x 75,6 cm
   
   
     

BALDUNG GRIEN, Hans Virgin and Child in a Room oil


BALDUNG GRIEN, Hans
Virgin and Child in a Room
Painting ID::  52006
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Virgin and Child in a Room
1516 Oil on wood, 47,9 x 36,6 cm
   
   
     

BALDUNG GRIEN, Hans Mater Dolorosa oil


BALDUNG GRIEN, Hans
Mater Dolorosa
Painting ID::  52226
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Mater Dolorosa
c. 1516 Wood, 153 x 46 cm
   
   
     

BALDUNG GRIEN, Hans Adoration of the Magi oil


BALDUNG GRIEN, Hans
Adoration of the Magi
Painting ID::  63525
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Adoration of the Magi
1507 Oil on wood Staatliche Museen, Berlin In the centre of the altarpiece the donor, Ernst von Wettin, Archbishop of Magdeburg, brother of Emperor Frederic the Wise, is represented. The side panels depict St George and St Maurice, the latter being the patron saint of the Magdeburg archbishopry.Artist:BALDUNG GRIEN, Hans Title: Adoration of the Magi Painted in 1501-1550 , German - - painting : religious
   
   
     

BALDUNG GRIEN, Hans Aristotle and Phyllis oil


BALDUNG GRIEN, Hans
Aristotle and Phyllis
Painting ID::  63687
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Aristotle and Phyllis
1513 Woodcut, 330 x 236 mm Germanisches Nationalmuseum, Nuremberg This picture symbolizes the power of the women by representing the phylosopher Aristotle as he brings on his back his lover, Phyllis. This story was often pictured by Renaissance artists.Artist:BALDUNG GRIEN, Hans Title: Aristotle and Phyllis Painted in 1501-1550 , German - - graphics : mythological
   
   
     

BALDUNG GRIEN, Hans Crucifixion oil


BALDUNG GRIEN, Hans
Crucifixion
Painting ID::  63688
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Crucifixion
1511 Chiaroscuro woodcut, 347 x 260 mm Germanisches Nationalmuseum, NurembergArtist:BALDUNG GRIEN, Hans Title: Crucifixion Painted in 1501-1550 , German - - graphics : religious
   
   
     

BALDUNG GRIEN, Hans Witches Sabbath oil


BALDUNG GRIEN, Hans
Witches Sabbath
Painting ID::  63689
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Witches Sabbath
1510 Woodcut Germanisches Nationalmuseum, NurembergArtist:BALDUNG GRIEN, Hans Title: Witches Sabbath Painted in 1501-1550 , German - - graphics : mythological
   
   
     

BALDUNG GRIEN, Hans St Christopher oil


BALDUNG GRIEN, Hans
St Christopher
Painting ID::  63690
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St Christopher
1520 Woodcut, 240 x 163 mm Germanisches Nationalmuseum, Nuremberg Baldung-Grien's paintings are equalled in importance by his extensive body of drawings, engravings, and woodcuts of an intense vitality.Artist:BALDUNG GRIEN, Hans Title: St Christopher Painted in 1501-1550 , German - - graphics : religious
   
   
     

BALDUNG GRIEN, Hans The Groom Bewitched oil


BALDUNG GRIEN, Hans
The Groom Bewitched
Painting ID::  63691
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The Groom Bewitched
1544 Woodcut, 33 x 19,7 cm National Gallery of Art, Washington Hans Baldung was a powerful designer of woodcuts, second only to D?rer in his ability to create an atmosphere in which the familiar becomes strange and eerie. He, like some of his Flemish contemporaries, favoured weird tales of demons and witches, so that many of his scenes deal with diablerie and magic. One of his masterpieces of this genre represents malevolent witches tiding goats in an atmosphere as ominous as that described by Goethe in Faust. We display here the startling representation of a bewitched groom, not only because it is typical of Baldung's favourite subject matter, but because it is so original and inventive. One senses in this artist the same desire to probe the laws and principles of perspective that we find in the earlier Italian masters Paolo Uccello and Piero della Francesca. The fallen groom, daringly foreshortened, with feet extended almost out of the picture and head reaching to the entrance of a second room, recalls a similar experiment of Andrea Mantegna's, the dead Christ in his painting of The Lamentation. The unlucky groom had been caring for his horse when the evil creature appeared at the window on the right and leveled her curse at him. He lies prostrate in a trance. The horse turns his head, obviously sensing something strange. The viewer realizes at once that the artist was as much concerned with his design of picture as with its literary content. On his flat sheet of paper he has succeeded in suggesting deep space: a view that extends from one room into another, and continues through an opening in the back to the open air outside. This print is fairly large and was probably intended as a decoration. The engraved lines are set wide apart except in the back stall, where they are worked into a screenlike effect to suggest a darker area. This is a memorable print, and, for the period, a veritable tour de force.Artist:BALDUNG GRIEN, Hans Title: The Groom Bewitched Painted in 1501-1550 , German - - graphics : mythological
   
   
     

BALDUNG GRIEN, Hans Hercules and Antaeus oil


BALDUNG GRIEN, Hans
Hercules and Antaeus
Painting ID::  78797
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Hercules and Antaeus
1530(1530) Medium Oil on panel Dimensions 73 x 98 cm (28.7 x 38.6 in) cyf
   
   
     

BALDUNG GRIEN, Hans Hercules and Antaeus oil


BALDUNG GRIEN, Hans
Hercules and Antaeus
Painting ID::  79474
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Hercules and Antaeus
1530(1530) Medium Oil on panel Dimensions 73 x 98 cm (28.7 x 38.6 in) cyf
   
   
     

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     BALDUNG GRIEN, Hans
     German Northern Renaissance Painter and Printmaker, ca.1484-1545

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