Augustus Earle A Bivouac of Travellers in Australia in a Cabbage Tree Forest,Day Break Painting ID:: 28004 new3/Augustus Earle-963265.jpg
A Bivouac of Travellers in Australia in a Cabbage Tree Forest,Day Break 1838
Oil on canvas 118 x 82 cm (46 1/2 x 32 1/4in)
National Library of Australia,Canberra (mk63)
Augustus Earle Past and Present No 2 Painting ID:: 28397 new3/Augustus Earle-869532.jpg
Past and Present No 2 1858
Oil on canvas 63.5 x 76.2 cm
(20 x 30 in)
Tate Gallery London (mk63)
Augustus Earle Past and Present No 3 Painting ID:: 28398 new3/Augustus Earle-692389.jpg
Past and Present No 3 1858
Oil on canvas 63.5 x 76.2 cm
(20 x 30 in)
Tate Gallery London (mk63)
Augustus Earle Captain Richard Brooks Painting ID:: 32729 new9/Augustus Earle-684272.jpg
Captain Richard Brooks mk80
1826-27
Oil on canvas
73.9x61
Augustus Earle Augustus Earle Painting ID:: 58727 new20/Augustus Earle-562759.jpg
Augustus Earle Augustus Earle, (Self Portrait) Solitude, watching the horizon at sun set, in the hopes of seeing a vessel, Tristan de Acunha (i.e. da Cunha) in the South Atlantic, (1824): watercolour; 17.5 x 25.7 cm. National Library of Australia
Augustus Earle Punishing negroes at Cathabouco Painting ID:: 58728 new20/Augustus Earle-363436.jpg
Punishing negroes at Cathabouco Augustus Earle, Punishing negroes at Cathabouco, (i.e. Calabouco) Rio de Janeiro, (1822): watercolour; 23.6 x 26.3 cm. National Library of Australia
Augustus Earle Portrait of Bungaree Painting ID:: 58729 new20/Augustus Earle-549468.jpg
Portrait of Bungaree Augustus Earle, Portrait of Bungaree, a native of New South Wales, with Fort Macquarie, Sydney Harbour, in background, (1826): oil on canvas; 68.5 x 50.5 cm. National Library of Australia
Augustus Earle Solitude, watching the horizon at sun set, in the hopes of seeing a vessel, Tristan de Acunha Painting ID:: 94289 new26/Augustus Earle-676857.jpg
Solitude, watching the horizon at sun set, in the hopes of seeing a vessel, Tristan de Acunha 1824
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Augustus Earle Punishing negros at Cathabouco Painting ID:: 94290 new26/Augustus Earle-974554.jpg
Punishing negros at Cathabouco 1822. Watercolour; 23.6 x 26.3 cm.
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Augustus Earle Portrait of Bungaree, a native of New South Wales, with Fort Macquarie, Sydney Harbour, Painting ID:: 94291 new26/Augustus Earle-463745.jpg
Portrait of Bungaree, a native of New South Wales, with Fort Macquarie, Sydney Harbour, oil on canvas
Date 1826(1826)
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Augustus Earle Uncared for Painting ID:: 96961 new26/Augustus Earle-357865.jpg
Uncared for Oil on canvas, 101 x 76 cm
Date 1871(1871)
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Augustus Earle The flower girl Painting ID:: 96962 new26/Augustus Earle-587964.jpg
The flower girl Oil on canvas, 37 x 26 cm
Date 1872(1872)
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Augustus Earle Selling Out Painting ID:: 96963 new26/Augustus Earle-845333.jpg
Selling Out 1901, oil on board, 30.5 x 23 cm
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Augustus Earle Luck in a Moment Painting ID:: 96964 new26/Augustus Earle-347948.jpg
Luck in a Moment 30.5 x 25.5 cm
Date 1874(1874)
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Augustus Earle A street flower seller Painting ID:: 96965 new26/Augustus Earle-997769.jpg
A street flower seller oil on canvas, 55 x 38 cm
Date 1882(1882)
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Australian Painter , 1793-1838
Nephew of Ralph Earl. He exhibited at the Royal Academy in London between 1806 and 1815, when he began travelling. He visited the Mediterranean between 1815 and 1817, and lived in North America (1818-20) and South America (1820-24). In February 1824, en route to India, he was accidentally abandoned on Tristan da Cunha for eight months. The passing ship that rescued him took him to Australia. Here he lived from 1825 until 1828, a period broken by a seven-month residence in New Zealand. During all of his voyages he made watercolour sketches, particularly of places 'hitherto unvisited by any artist', apparently with the intention of publishing a series of aquatints. These drawings, such as a Bivouac, Daybreak, on the Illawarra Mountains (1827; Canberra, N. Lib.), have a robust autobiographical quality. In Sydney he obtained a number of commissions, including a full-length portrait of Governor Sir Thomas Brisbane (1825-6; Sydney, Govt House). Earle returned to England in 1829 and produced a series of prints, Views in New South Wales, and Van Diemen's Land.