Arnold Bocklin Oil Painting Reproductions

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Arnold Bocklin Angelika, von einem Drachen bewacht oder Angelica und Ruggiero oil

Arnold Bocklin
Angelika, von einem Drachen bewacht oder Angelica und Ruggiero
Painting ID:: 67777
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Angelika, von einem Drachen bewacht oder Angelica und Ruggiero
1873 Oil on wood 46 X 67 cm

Arnold Bocklin
Angelika von einem Drachen bewacht oder Angelica und Ruggiero
Painting ID:: 70280
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Angelika von einem Drachen bewacht oder Angelica und Ruggiero
Medium Oil on wood Dimensions 46 X 67 cm

Arnold Bocklin
silence fe la foret
Painting ID:: 71090
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silence fe la foret
mk289 1896 collection particuliere

Arnold Bocklin
Spiel der Wellen
Painting ID:: 71780
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Spiel der Wellen
Spiel der Wellen, 1883. canvas, 180 x 236 cm. Neue Pinakothek, Munich.

Arnold Bocklin
Sirenen
Painting ID:: 72550
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Sirenen
1875 cjr

Arnold Bocklin
Sirenen
Painting ID:: 74311
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Sirenen
Date 1875 Medium Unknown Dimensions ? cm cyf

Arnold Bocklin
Im Spiel der Wellen
Painting ID:: 84338
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Im Spiel der Wellen
Oil on Canvas Date 1883(1883) cyf

Arnold Bocklin Zerstortes Haus in Kehl oil

Arnold Bocklin
Zerstortes Haus in Kehl
Painting ID:: 86621
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Zerstortes Haus in Kehl
Date 1870(1870) Medium Oil on canvas Dimensions 20.5 x 35.5 cm (8.1 x 14 in) cjr

Arnold Bocklin Das Spiel der Najaden oil

Arnold Bocklin
Das Spiel der Najaden
Painting ID:: 88204
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Das Spiel der Najaden
1886(1886) Medium Oil on canvas Dimensions 151 x 176 cm (59.4 x 69.3 in) cjr

Arnold Bocklin
Odysseus und Kalypso
Painting ID:: 88207
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Odysseus und Kalypso
1883(1883) Medium Oil on wood Dimensions 104 x 150 cm (40.9 x 59.1 in) cjr

Arnold Bocklin
Die Kapelle
Painting ID:: 89417
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Die Kapelle
oil on canvas, 95 x 70 cm Date 1898(1898) cyf

Arnold Bocklin Selbstportrat mit fiedelndem Tod. oil

Arnold Bocklin
Selbstportrat mit fiedelndem Tod.
Painting ID:: 89872
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Selbstportrat mit fiedelndem Tod.
1872(1872) Medium oil on canvas Dimensions 75 x 61 cm (29.5 x 24 in) cjr

Arnold Bocklin
Nessus und Deianeira
Painting ID:: 93837
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Nessus und Deianeira
1898(1898) Medium oil on canvas cjr

Arnold Bocklin
The island of life
Painting ID:: 95078
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The island of life
Oil on wood Dimensions 94 x 140 cm cyf

Arnold Bocklin
Plague
Painting ID:: 95181
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Plague
Plague, 1898, Arnold Böcklin. Tempera on wood cyf

Arnold Bocklin Portrait of Anne Catherine Constance as St Catherine oil

Arnold Bocklin
Portrait of Anne Catherine Constance as St Catherine
Painting ID:: 96451
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Portrait of Anne Catherine Constance as St Catherine
1653(1653) Medium oil on canvas cyf

Arnold Bocklin
Villa am Meer
Painting ID:: 96520
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Villa am Meer
1878(1878) Medium oil on canvas Dimensions 110 x 160 cm cyf

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Arnold Bocklin

Swiss 1827-1901 Arnold Bocklin Locations Arnold Bocklin was born on Oct. 16, 1827, in Basel. He attended the Dusseldorf Academy (1845-1847). At this time he painted scenes of the Swiss Alps, using light effects and dramatic views subjectively to project emotional moods into the landscape. In 1848 this romantic introspection gave way to plein air (open-air) objectivity after he was influenced by Camille Corot, Eugene Delacroix, and the painters of the Barbizon school while on a trip to Paris. But after the February and June revolutions Bocklin returned to Basel with a lasting hatred and disgust for contemporary France, and he resumed painting gloomy mountain scenes. In 1850 Bocklin found his mecca in Rome, and immediately his paintings were flooded by the warm Italian sunlight. He populated the lush southern vegetation, the bright light of the Roman Campagna, and the ancient ruins with lonely shepherds, cavorting nymphs, and lusty centaurs. These mythological figures rather than the landscapes became Bocklins primary concern, and he used such themes as Pan Pursuing Syrinx (1857) to express the polarities of life: warm sunshine contrasts with cool, moist shade, and the brightness of womans spirituality contrasts with mans dark sensuality. When Bocklin returned to Basel with his Italian wife, he completed the painting which brought him fame when the king of Bavaria purchased it in 1858: Pan among the Reeds, a depiction of the Greek phallic god with whom the artist identified. He taught at the Academy of Art in Weimar from 1860 to 1862, when he returned to Rome. Called to Basel in 1866, he painted the frescoes and modeled the grotesque masks for the facade of the Basel Museum. Bocklin resided in Florence from 1874 until 1885, and this was his most active period. He continued to explore the male-female antithesis and painted religious scenes, allegories of Natures powers, and moody studies of mans fate. He ceased working with oils and began experimenting with tempera and other media to obtain a pictorial surface free of brushstrokes. Bocklin spent the next 7 years mostly in Switzerland, with occasional trips to Italy; he devoted much of his energy to designing an airplane. Following a stroke in 1892, he returned to Italy, bought a villa in Fiesole, and died there on Jan. 16, 1901. Many of his late works depict nightmares of war, plague, and death.



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