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Antonello da Messina Oil Painting Reproductions
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Antonello da Messina Sacra Conversazione oil


Antonello da Messina
Sacra Conversazione
Painting ID::  33414
new9/Antonello da Messina-533252.jpg 		Sacra Conversazione
mk86 1475/76 Tempera on wood Saints Nicholas and Anastasia 56x35cm Virgin and Child 115x63cm
   
   
     
Antonello da Messina Antonello there measuring, madonna Annunziata oil


Antonello da Messina
Antonello there measuring, madonna Annunziata
Painting ID::  38440
new12/LEONARDO da Vinci-538636.jpg 		Antonello there measuring, madonna Annunziata
mk137 ca. 1475 oils on wood chalkboard 45x34.5cm Galleria Nazionale della Sicilla, Palermo
   
   
     
Antonello da Messina Portrat of a man oil


Antonello da Messina
Portrat of a man
Painting ID::  38473
new12/LEONARDO da Vinci-523887.jpg 		Portrat of a man
mk137 1475 oils on wood chalkboard 36x30cm muse you Louvre, Paris
   
   
     
Antonello da Messina Madonna with SS Nicholas of Bari,Anastasia oil


Antonello da Messina
Madonna with SS Nicholas of Bari,Anastasia
Painting ID::  39584
new12/Antonello da Messina-752886.jpg 		Madonna with SS Nicholas of Bari,Anastasia
mk150 1475/6 115/56x133.6cm
   
   
     
Antonello da Messina Virgin Annunciate oil


Antonello da Messina
Virgin Annunciate
Painting ID::  40236
new12/Antonello da Messina-688764.jpg 		Virgin Annunciate
mk156 1475 Oil on panel 45x135cm
   
   
     
Antonello da Messina Portrait of a Man oil


Antonello da Messina
Portrait of a Man
Painting ID::  40237
new12/Antonello da Messina-425249.jpg 		Portrait of a Man
mk156 1475 Oil on panel 36x30cm
   
   
     
Antonello da Messina San Cassiano Altar oil


Antonello da Messina
San Cassiano Altar
Painting ID::  40240
new12/Antonello da Messina-894839.jpg 		San Cassiano Altar
mk156 1475-1476 Oil on panel 115x65cm
   
   
     
Antonello da Messina St Sebastian oil


Antonello da Messina
St Sebastian
Painting ID::  40245
new12/Antonello da Messina-364992.jpg 		St Sebastian
mk156 c.1476 Panel transposed on canvas 171x85cm
   
   
     
Antonello da Messina The Dead Christ oil


Antonello da Messina
The Dead Christ
Painting ID::  41132
new16/Antonello da Messina-789288.jpg 		The Dead Christ
mk157 1475-76 Oil on wood 117x85cm
   
   
     
Antonello da Messina Christ Crucified oil


Antonello da Messina
Christ Crucified
Painting ID::  42904
new16/Antonello da Messina-983837.jpg 		Christ Crucified
mk170 Dated 1475 Oil on wood
   
   
     
Antonello da Messina Portrai of a Man oil


Antonello da Messina
Portrai of a Man
Painting ID::  42921
new16/Antonello da Messina-466533.jpg 		Portrai of a Man
mk170 circa 1475 Oil on poplar 35.6x25.4cm
   
   
     
Antonello da Messina Saint Jerome in His Study oil


Antonello da Messina
Saint Jerome in His Study
Painting ID::  42923
new16/Antonello da Messina-227662.jpg 		Saint Jerome in His Study
mk170 circa 1475 Oi lon lime 45.7x36.2cm
   
   
     
Antonello da Messina Bebadelsen oil


Antonello da Messina
Bebadelsen
Painting ID::  53706
new19/Antonello da Messina-654547.jpg 		Bebadelsen
mk34 about 1465 45x34cm
   
   
     
Antonello da Messina Portratt of young man oil


Antonello da Messina
Portratt of young man
Painting ID::  53707
new19/Antonello da Messina-975572.jpg 		Portratt of young man
mk234 aout 1465 35x25cm
   
   
     
Antonello da Messina Prtrait of a Man oil


Antonello da Messina
Prtrait of a Man
Painting ID::  55958
new20/Antonello da Messina-784443.jpg 		Prtrait of a Man
mk247 c.1475,oil on poplar,14x10 in,36x25.5 cm,national gallery,london,uk
   
   
     
Antonello da Messina Condottiero oil


Antonello da Messina
Condottiero
Painting ID::  55959
new20/Antonello da Messina-486254.jpg 		Condottiero
mk247 1475,oil on wood,14x12 in,36x30.5 cm,louvre,paris,france
   
   
     
Antonello da Messina Portrait of a Man oil


Antonello da Messina
Portrait of a Man
Painting ID::  63537
new21/Antonello da Messina-232479.jpg 		Portrait of a Man
1474 Oil on wood, 32 x 26 cm Staatliche Museen, Berlin The painting is one of the portraits which were famed for their realism. Due to his knowledge of Flemish pictures, the painter had made a decisive contribution to the spreading and perfection in Italy of what was at that time the new medium of oil painting, and normally depicted figures in three quarter life-size as statue-like half-length portraits in front of a barrier. As in this portrait, the face is particularly emphasized by the dark background and simple headgear, with the eyes directed straight at the observer.Artist:ANTONELLO da Messina Title: Portrait of a Man Painted in 1451-1500 , Italian - - painting : portrait
   
   
     
Antonello da Messina Portrait of a Man oil


Antonello da Messina
Portrait of a Man
Painting ID::  79671
new24/Antonello da Messina-654744.jpg 		Portrait of a Man
1473(1473) Medium Oil on panel cyf
   
   
     
Antonello da Messina Portrait of a Man oil


Antonello da Messina
Portrait of a Man
Painting ID::  79859
new24/Antonello da Messina-494349.jpg 		Portrait of a Man
c.1465-70 Oil on panel cjr
   
   
     
Antonello da Messina Portrat eines Mannes oil


Antonello da Messina
Portrat eines Mannes
Painting ID::  79932
new24/Antonello da Messina-359845.jpg 		Portrat eines Mannes
1474 - 1475 Medium Oil on panel Dimensions Deutsch: 30 x 24 cm cyf
   
   
     
Antonello da Messina Christ Blessing oil


Antonello da Messina
Christ Blessing
Painting ID::  84319
new25/Antonello da Messina-758468.jpg 		Christ Blessing
1465(1465) Medium Oil on wood Dimensions 38.7 x 29.8 cm cyf
   
   
     
Antonello da Messina St Jerome in his Study oil


Antonello da Messina
St Jerome in his Study
Painting ID::  84580
new25/Antonello da Messina-569549.jpg 		St Jerome in his Study
Date ca. 1460(1460) Medium Oil on wood Dimensions Height: 46 cm (18.1 in). Width: 36 cm (14.2 in). cjr
   
   
     
Antonello da Messina Portrait of a Man oil


Antonello da Messina
Portrait of a Man
Painting ID::  84830
new25/Antonello da Messina-368838.jpg 		Portrait of a Man
1470(1470) Medium Oil on wood Dimensions 27 x 20.6 cm (10.6 x 8.1 in) cyf
   
   
     
Antonello da Messina Virgin Annunciate oil


Antonello da Messina
Virgin Annunciate
Painting ID::  86600
new25/Antonello da Messina-777437.jpg 		Virgin Annunciate
Date c. 1476(1476) Medium Oil on wood Dimensions Height: 45 cm (17.7 in). Width: 34.5 cm (13.6 in). cjr
   
   
     
Antonello da Messina Salvator mundi, Detail oil


Antonello da Messina
Salvator mundi, Detail
Painting ID::  86646
new25/Antonello da Messina-437596.jpg 		Salvator mundi, Detail
Date 1465(1465) Medium Oil on wood cjr
   
   
     
Antonello da Messina Ecce Homo oil


Antonello da Messina
Ecce Homo
Painting ID::  87887
new25/Antonello da Messina-638684.jpg 		Ecce Homo
Date 1474(1474) Medium Oil on wood Dimensions Deutsch: 39,7 x 32,7 cm cjr
   
   
     
Antonello da Messina Maria der Verkundigung oil


Antonello da Messina
Maria der Verkundigung
Painting ID::  87926
new25/Antonello da Messina-993483.jpg 		Maria der Verkundigung
1475(1475) Medium Oil on wood cjr
   
   
     
Antonello da Messina St Jerome in his Study oil


Antonello da Messina
St Jerome in his Study
Painting ID::  88443
new25/Antonello da Messina-553856.jpg 		St Jerome in his Study
1460(1460) Medium Oil on wood cyf
   
   
     
Antonello da Messina Salvator mundi oil


Antonello da Messina
Salvator mundi
Painting ID::  90598
new25/Antonello da Messina-667979.jpg 		Salvator mundi
1465(1465) Medium oil on panel cyf
   
   
     
Antonello da Messina St Sebastian oil


Antonello da Messina
St Sebastian
Painting ID::  91187
new25/Antonello da Messina-795537.jpg 		St Sebastian
between 1476(1476) and 1477(1477) Medium Oil on canvas transferred from panel Dimensions Height: 171 cm (67.3 in). Width: 85.5 cm (33.7 in). cyf
   
   
     
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     Antonello da Messina
     1430-1479 Italian Antonello da Messina Galleries Antonello was born at Messina around 1429-1431, to Giovanni de Antonio Mazonus and Garita (Margherita). He was probably apprenticed in his native city and in Palermo. Around the year 1450, according to a 1524 letter of the Neapolitan humanist Pietro Summonte,[1] he was a pupil of the painter Niccol?? Colantonio at Naples, then one of the most active centres of Renaissance arts. Around 1455 he painted the so-called Sibiu Crucifixion, which was inspired by the Flemish Calvaries and is housed in the Muzeul de Art?? in Bucharest. Of the same years is the Crucifixion in the Royal Museum of Antwerp: his early works shows a marked Flemish influence, which it is now understood he derived from his master Colantonio and from works by Rogier van der Weyden and Jan van Eyck that belonged to Colantonio's patron, Alfonso V of Aragon; his biographer Vasari remarked that Antonello saw at Naples an oil painting by Jan Van Eyck (the "Lomellini Tryptych") belonging to King Alphonso of Aragon; Vasari's further narrative, that being struck by the new method, set out for The Netherlands to acquire a knowledge of the process from Van Eyck's disciples is discredited today. Another theory, supported only by vague documentary evidence, suggests that in 1456 Antonello visited Milan, where he might have met Van Eyck's most accomplished follower, Petrus Christus. Since Antonello was one of the first Italians to master Eyckian oil painting, and Christus was the first Netherlandish painter to learn Italian linear perspective, their meeting is a tempting answer to both questions. But in fact, neither artist is known for certain to have been in Milan at the time. The following year, Antonello received his first commission as an independent artist, a banner for the Confraternit?? di San Michele dei Gerbini in Reggio Calabria. At this date, he was already married, and his son Jacobello had been born. In 1460, his father is mentioned leasing a brigantine to bring back Antonello and his family from Amaltea, a town in Calabria. In that year, Antonello painted the so-called Salting Madonna, in which standard iconography and Flemish style are backed by a greater attention in the volumetric proportions of the figures, probably coming from his knowledge of some works by Piero della Francesca. Also from around 1460 are the two small panels depicting Abraham Served by the Angels and St. Jerome Penitent now in the Museo Nazionale della Magna Grecia in Reggio Calabria. In 1461 his younger brother Giordano entered Antonello's workshop, signing a three-years' contract. Of that year is a Madonna with Child for the Messinese nobleman Giovanni Mirulla, now lost. Between 1465-1470, Antonello finished a Portrait of a Man now at Cefal??. His portraits are noteworthy for his characteristic use of the three-quarter view, typical of the Flemish School, whereas almost all Italian painters adopted the medal profile pose. Antonello travelled to Venice around 1470, to see Giovanni Bellini's paintings. The Palermo Annunciation.In this year he executed his first signed and dated work, the Salvator Mundi. Back at Sicily, Antonello finished the St. Gregory's Polyptych. In 1474, he painted the Annunciation, now in Syracuse, and the St. Jerome in His Study, one of his most famous paintings. The following year he began his regular sojourn in Venice, where he remained until the fall of 1476. His works of this period begin to show a greater attention to the human figure, regarding both anatomy and expressivity, according to the influence of Piero della Francesca and Bellini. His most famous pictures dating from this period include the Condottiero (Louvre, illustration), the San Cassiano Altarpiece and the St. Sebastian (see selected works for details). The San Cassiano Altarpiece was especially influential on Venetian painters, as it was one of the first of the large compositions in the sacra conversazione format which was perfected by Giovanni Bellini (Antonello's surviving work in Vienna is only a fragment of the much larger original). Antonello returned briefly to Sicily in 1476, where he painted the famous Virgin Annunciate, now in the Palazzo Abatellis at Palermo. He died at Messina in 1479: his testament dates from February of that year, and he is documented as no longer alive two months later. Some of his last works remained unfinished, but were completed by his son Jacobello.

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