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Antoine Wiertz Oil Painting Reproductions

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Antoine Wiertz The Novel Reader (mk19) oil


Antoine Wiertz
The Novel Reader (mk19)
Painting ID::  22313
new7/Antoine Wiertz-639863.jpg
The Novel Reader (mk19)
1853 Oil on canvas,125 x 155 cm Musee Wiertz,Brussels
   
   
     

Antoine Wiertz The Beautiful Rosine (mk19) oil


Antoine Wiertz
The Beautiful Rosine (mk19)
Painting ID::  22314
new7/Antoine Wiertz-735964.jpg
The Beautiful Rosine (mk19)
1847 Oil on canvas,140 x 110 cm Musee Wiertz,Brussels
   
   
     

Antoine Wiertz The Lovely Rosine (mk22) oil


Antoine Wiertz
The Lovely Rosine (mk22)
Painting ID::  22825
new7/Antoine Wiertz-877632.jpg
The Lovely Rosine (mk22)
(Nude with Skeleton),1843 Oil on canvas,140 x 110 cm Brussels,Musees Royaux des Beaux-Arts de Belgique
   
   
     

Antoine Wiertz Two Young Girls or the Beautiful Rosine oil


Antoine Wiertz
Two Young Girls or the Beautiful Rosine
Painting ID::  44012
new16/Antoine Wiertz-749866.jpg
Two Young Girls or the Beautiful Rosine
1847 Oil on canvas, 140 x 100 cm
   
   
     

Antoine Wiertz Reader of Novels oil


Antoine Wiertz
Reader of Novels
Painting ID::  71732
new23/Antoine Wiertz-558833.jpg
Reader of Novels
Date 1853 125 x 157 cm
   
   
     

Antoine Wiertz Antoine Wiertz s oil


Antoine Wiertz
Antoine Wiertz s
Painting ID::  73452
new24/Antoine Wiertz-884533.jpg
Antoine Wiertz s
painting created in 1854 cyf
   
   
     

Antoine Wiertz Rosine at her Dressing Table oil


Antoine Wiertz
Rosine at her Dressing Table
Painting ID::  82226
new24/Antoine Wiertz-633443.jpg
Rosine at her Dressing Table
Medium Oil on canvas Dimensions 156 x 98 cm (61.4 x 38.6 in) cjr
   
   
     

Antoine Wiertz The Premature Burial oil


Antoine Wiertz
The Premature Burial
Painting ID::  89996
new25/Antoine Wiertz-857769.jpg
The Premature Burial
1854(1854) Medium oil on canvas cjr
   
   
     

Antoine Wiertz Linhumation precipitee oil


Antoine Wiertz
Linhumation precipitee
Painting ID::  90502
new25/Antoine Wiertz-963448.jpg
Linhumation precipitee
1854(1854) Medium oil on canvas Dimensions 160 x 235 cm (63 x 92.5 in) cyf
   
   
     

Antoine Wiertz The Suicide oil


Antoine Wiertz
The Suicide
Painting ID::  91826
new25/Antoine Wiertz-498546.jpg
The Suicide
1854(1854) Medium oil on canvas cjr
   
   
     

Antoine Wiertz The Reader of Novels oil


Antoine Wiertz
The Reader of Novels
Painting ID::  92457
new25/Antoine Wiertz-335585.jpg
The Reader of Novels
Date 1853(1853) Medium oil on canvas Dimensions 125 X 157 cm (49.2 X 61.8 in) TTD
   
   
     

Antoine Wiertz self portrait by Antoine Wiertz oil


Antoine Wiertz
self portrait by Antoine Wiertz
Painting ID::  94270
new26/Antoine Wiertz-885933.jpg
self portrait by Antoine Wiertz
1860 cjr
   
   
     

Antoine Wiertz The Young Sorceress oil


Antoine Wiertz
The Young Sorceress
Painting ID::  94271
new26/Antoine Wiertz-449597.jpg
The Young Sorceress
oil on canvas 1857 cjr
   
   
     

Antoine Wiertz Autoportrait a lage de 18 ans oil


Antoine Wiertz
Autoportrait a lage de 18 ans
Painting ID::  97946
new26/Antoine Wiertz-994794.jpg
Autoportrait a lage de 18 ans
oil on canvas Dimensions 81.3 x 62.5 cm cyf
   
   
     

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     Antoine Wiertz
     Belgian Painter, 1806-1865 Belgian painter and sculptor. He was from very humble origins, but his talent for drawing was detected at an early age. He was sent to the Antwerp Academie, where he attended classes given by W. J. Herreyns (1743-1827) and Mathieu Ignace Van Br?e. During a stay in Paris from 1829 to 1832 he came into contact with the Romantic painters, in particular Th?odore G?ricault, who fostered his admiration for Rubens. In 1832 he won the Belgian Prix de Rome and in 1834 left for Italy where the works of Raphael and, above all, Michelangelo made an overwhelming impression on him. In Rome he abandoned the landscapes and scenes from Roman life, for which he showed a certain talent, and embarked on a much more ambitious work, the Greeks and the Trojans Contesting the Body of Patroclus (1835; Brussels, Mus. Wiertz.). The painting proved the turning-point in Wiertz's career. Its frenzied composition and violently contorted figures excited considerable interest in Rome.

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