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Angelica Kauffmann Oil Painting Reproductions
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Angelica Kauffmann Death of Alcestis oil


Angelica Kauffmann
Death of Alcestis
Painting ID::  59453
new21/Angelica Kauffmann-745635.jpg 		Death of Alcestis
Death of Alcestis, 1741-1807.
   
   
     
Angelica Kauffmann The Paintress of Macaroni oil


Angelica Kauffmann
The Paintress of Macaroni
Painting ID::  59454
new21/Angelica Kauffmann-884529.jpg 		The Paintress of Macaroni
The Paintress of Macaroni's," believed to be a satire of Kauffmann. London: Printed for Carington Bowles, April 13, 1772.
   
   
     
Angelica Kauffmann A Sleeping Nymph Watched by a Shepherd oil


Angelica Kauffmann
A Sleeping Nymph Watched by a Shepherd
Painting ID::  59455
new21/Angelica Kauffmann-227553.jpg 		A Sleeping Nymph Watched by a Shepherd
A Sleeping Nymph Watched by a Shepherd , about 1780, Angelica Kauffman V&A Museum no. 23-1886
   
   
     
Angelica Kauffmann Countess Anna Protassowa with niece oil


Angelica Kauffmann
Countess Anna Protassowa with niece
Painting ID::  67801
new23/Angelica Kauffmann-888583.jpg 		Countess Anna Protassowa with niece
Technique English: Oil on canvas Deutsch: Öl auf Leinwand Italiano: Olio su tela Polski: Olej na płetnie Dimensions 123 X 159 cm (48.43 X 62.60 in)
   
   
     
Angelica Kauffmann sjalvportratt oil


Angelica Kauffmann
sjalvportratt
Painting ID::  68582
new23/Angelica Kauffmann-798593.jpg 		sjalvportratt
1787 olja på duk, 128x93.5cm se
   
   
     
Angelica Kauffmann sjalvportratt oil


Angelica Kauffmann
sjalvportratt
Painting ID::  68583
new23/Angelica Kauffmann-537848.jpg 		sjalvportratt
1787. olja på duk , uffizierna, florens se
   
   
     
Angelica Kauffmann sjalvportratt med minervabyst oil


Angelica Kauffmann
sjalvportratt med minervabyst
Painting ID::  68584
new23/Angelica Kauffmann-746644.jpg 		sjalvportratt med minervabyst
1780 olja på duk 93x76.5 cm se
   
   
     
Angelica Kauffmann gustaf adolf reuterholm oil


Angelica Kauffmann
gustaf adolf reuterholm
Painting ID::  68611
new23/Angelica Kauffmann-585633.jpg 		gustaf adolf reuterholm
1792 olja på duk 137x108cm se
   
   
     
Angelica Kauffmann Countess Anna Protassowa with niece oil


Angelica Kauffmann
Countess Anna Protassowa with niece
Painting ID::  70522
new23/Angelica Kauffmann-863989.jpg 		Countess Anna Protassowa with niece
Medium English: Oil on canvas Deutsch: Öl auf Leinwand Italiano: Olio su tela Polski: Olej na pł??tnie Dimensions Expression error: Missing operand for *123 ?? 159 cm
   
   
     
Angelica Kauffmann Ariadne von Theseus verlassen oil


Angelica Kauffmann
Ariadne von Theseus verlassen
Painting ID::  70733
new23/Angelica Kauffmann-443675.jpg 		Ariadne von Theseus verlassen
Medium Oil on canvas Dimensions 88 ?? 70,5
   
   
     
Angelica Kauffmann Portrait of Augusta of Hanover with her first born son Karl Georg of Brunswick oil


Angelica Kauffmann
Portrait of Augusta of Hanover with her first born son Karl Georg of Brunswick
Painting ID::  75820
new24/Angelica Kauffmann-598693.jpg 		Portrait of Augusta of Hanover with her first born son Karl Georg of Brunswick
1767(1767) Oil on canvas cjr
   
   
     
Angelica Kauffmann Portrait of a Woman as a Vestal Virgin oil


Angelica Kauffmann
Portrait of a Woman as a Vestal Virgin
Painting ID::  75994
new24/Angelica Kauffmann-335785.jpg 		Portrait of a Woman as a Vestal Virgin
1770s Oil on canvas 60 ?? 41 cm (23.6 ?? 16.1 in) cjr
   
   
     
Angelica Kauffmann Self-portrait oil


Angelica Kauffmann
Self-portrait
Painting ID::  76049
new24/Angelica Kauffmann-586979.jpg 		Self-portrait
1784(1784) Oil on canvas 64.8 ?? 50.7 cm (25.5 ?? 20 in) cjr
   
   
     
Angelica Kauffmann Three singers oil


Angelica Kauffmann
Three singers
Painting ID::  76098
new24/Angelica Kauffmann-366473.jpg 		Three singers
1795(1795) Oil cjr
   
   
     
Angelica Kauffmann Self-portrait oil


Angelica Kauffmann
Self-portrait
Painting ID::  76220
new24/Angelica Kauffmann-493995.jpg 		Self-portrait
from 1780(1780) until 1785(1785) Oil on canvas 77 ?? 63 cm (30.3 ?? 24.8 in) cjr
   
   
     
Angelica Kauffmann Portrat einer Dame als Vestalin oil


Angelica Kauffmann
Portrat einer Dame als Vestalin
Painting ID::  76859
new24/Angelica Kauffmann-436493.jpg 		Portrat einer Dame als Vestalin
4th quarter of 18th century Oil on canvas 92 ?? 72 cm (36.2 ?? 28.3 in) cjr
   
   
     
Angelica Kauffmann Portrait of Ferdinand IV of Naples, and his Family oil


Angelica Kauffmann
Portrait of Ferdinand IV of Naples, and his Family
Painting ID::  76971
new24/Angelica Kauffmann-779963.jpg 		Portrait of Ferdinand IV of Naples, and his Family
1783 cjr
   
   
     
Angelica Kauffmann Self-portrait Hesitating between the Arts of Music and Painting oil


Angelica Kauffmann
Self-portrait Hesitating between the Arts of Music and Painting
Painting ID::  77295
new24/Angelica Kauffmann-847334.jpg 		Self-portrait Hesitating between the Arts of Music and Painting
Self-portrait Hesitating between the Arts of Music and Painting. Oil on canvas, 1470 x 2160mm (58 x 85"). The St Oswald Collection, Nostell Priory. (The National Trust). cjr
   
   
     
Angelica Kauffmann Der Monch aus Calais, Tondo oil


Angelica Kauffmann
Der Monch aus Calais, Tondo
Painting ID::  77569
new24/Angelica Kauffmann-387483.jpg 		Der Monch aus Calais, Tondo
1780 Oil on canvas cjr
   
   
     
Angelica Kauffmann Self portrait oil


Angelica Kauffmann
Self portrait
Painting ID::  77711
new24/Angelica Kauffmann-944776.jpg 		Self portrait
1784(1784) Medium Oil on canvas Dimensions 64.8 ?? 50.7 cm (25.5 ?? 20 in) cyf
   
   
     
Angelica Kauffmann Portrait of a Woman as a Vestal Virgin oil


Angelica Kauffmann
Portrait of a Woman as a Vestal Virgin
Painting ID::  77929
new24/Angelica Kauffmann-543546.jpg 		Portrait of a Woman as a Vestal Virgin
1770s Medium Oil on canvas Dimensions 60 ?? 41 cm (23.6 ?? 16.1 in) cyf
   
   
     
Angelica Kauffmann Self portrait oil


Angelica Kauffmann
Self portrait
Painting ID::  77935
new24/Angelica Kauffmann-596339.jpg 		Self portrait
from 1780(1780) until 1785(1785) Medium Oil on canvas Dimensions 77 ?? 63 cm (30.3 ?? 24.8 in) cyf
   
   
     
Angelica Kauffmann Self-portrait as singer, holding a sheet of music oil


Angelica Kauffmann
Self-portrait as singer, holding a sheet of music
Painting ID::  78591
new24/Angelica Kauffmann-333673.jpg 		Self-portrait as singer, holding a sheet of music
1753(1753) Oil on canvas 49.5 x 40.5 cm (19.5 x 15.9 in) cjr
   
   
     
Angelica Kauffmann Self portrait oil


Angelica Kauffmann
Self portrait
Painting ID::  78733
new24/Angelica Kauffmann-888896.jpg 		Self portrait
1780(1780) Medium Oil cyf
   
   
     
Angelica Kauffmann Portrait of Portrait of a Young Woman oil


Angelica Kauffmann
Portrait of Portrait of a Young Woman
Painting ID::  78765
new24/Angelica Kauffmann-623356.jpg 		Portrait of Portrait of a Young Woman
1781(1781) Oil on canvas 130 x 102 cm (51.2 x 40.2 in) cjr
   
   
     
Angelica Kauffmann Drei Sangerinnen oil


Angelica Kauffmann
Drei Sangerinnen
Painting ID::  78887
new24/Angelica Kauffmann-354896.jpg 		Drei Sangerinnen
1795(1795) Medium Oil cyf
   
   
     
Angelica Kauffmann Augusta von Hannover oil


Angelica Kauffmann
Augusta von Hannover
Painting ID::  79008
new24/Angelica Kauffmann-469576.jpg 		Augusta von Hannover
1767(1767) Medium Oil on canvas cyf
   
   
     
Angelica Kauffmann Selbstbildnis mit Beste der Minerva oil


Angelica Kauffmann
Selbstbildnis mit Beste der Minerva
Painting ID::  79368
new24/Angelica Kauffmann-643785.jpg 		Selbstbildnis mit Beste der Minerva
1780(1780) Medium Oil cyf
   
   
     
Angelica Kauffmann Self-portrait oil


Angelica Kauffmann
Self-portrait
Painting ID::  79473
new24/Angelica Kauffmann-893957.jpg 		Self-portrait
1787(1787) Oil on canvas 128 x 94 cm (50.4 x 37 in) cjr
   
   
     
Angelica Kauffmann Portrait of Lady Henderson of Fordell oil


Angelica Kauffmann
Portrait of Lady Henderson of Fordell
Painting ID::  79485
new24/Angelica Kauffmann-747683.jpg 		Portrait of Lady Henderson of Fordell
1771(1771) Oil on canvas 128 x 103 cm (50.4 x 40.6 in) cjr
   
   
     
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     Angelica Kauffmann
     Swiss(Resident in England) 1741-1807 She was born at Chur in Graub??nden, Switzerland, but grew up in Schwarzenberg in Vorarlberg/Austria where her family originated. Her father, Joseph Johann Kauffmann, was a relatively poor man but a skilled painter that was often traveling around for his works. He was apparently very successful in teaching his precocious daughter. She rapidly acquired several languages from her mother Cleophea Lutz, read incessantly, and showed marked talents as a musician. Her greatest progress, however, was in painting; and in her twelfth year she had become a notability, with bishops and nobles for her sitters. In 1754 her father took her to Milan. Later visits to Italy of long duration followed: in 1763 she visited Rome, returning again in 1764. From Rome she passed to Bologna and Venice, being everywhere feted and caressed, as much for her talents as for her personal charms. Writing from Rome in August 1764 to his friend Franke, Winckelmann refers to her exceptional popularity. She was then painting his picture, a half-length, of which she also made an etching. She spoke Italian as well as German, he says; and she also expressed herself with facility in French and English, one result of the last-named accomplishment being that she became a popular portraitist for English visitors to Rome. "She may be styled beautiful," he adds, "and in singing may vie with our best virtuosi." While at Venice, she was induced by Lady Wentworth, the wife of the German ambassador, to accompany her to London. One of her first works was a portrait of David Garrick, exhibited in the year of her arrival at "Mr Moreing's great room in Maiden Lane." The rank of Lady Wentworth opened society to her, and she was everywhere well received, the royal family especially showing her great favour. Her firmest friend, however, was Sir Joshua Reynolds. In his pocket-book, her name as Miss Angelica or Miss Angel appears frequently, and in 1766 he painted her, a compliment which she returned by her Portrait of Sir Joshua Reynolds. Another instance of her intimacy with Reynolds is to be found in her variation of Guercino's Et in Arcadia ego, a subject which Reynolds repeated a few years later in his portrait of Mrs Bouverie and Mrs Crewe. When, in about November 1767, she was entrapped into a clandestine marriage with an adventurer who passed for a Swedish count (the Count de Horn), Reynolds helped extract her. It was doubtless owing to his good offices that she was among the signatories to the famous petition to the king for the establishment of the Royal Academy of Painting and Sculpture. In its first catalogue of 1769 she appears with "R.A." after her name (an honour she shared with one other lady, Mary Moser); and she contributed the Interview of Hector and Andromache, and three other classical compositions. Her friendship with Reynolds was criticised in 1775 by fellow Academician Nathaniel Hone in his satirical picture "The Conjurer". This attacked the fashion for Italianate Renaissance art, ridiculed Reynolds, and included a nude caricature of Kauffmann, later painted out by Hone. The work was rejected by the Royal Academy. From 1769 until 1782, she was an annual exhibitor, sending sometimes as many as seven pictures, generally classic or allegorical subjects. One of the most notable was Leonardo expiring in the Arms of Francis the First 1778. In 1773 she was appointed by the Academy with others to decorate St Paul's Cathedral, and it was she who, with Biagio Rebecca, painted the Academy's old lecture room at Somerset House. Kauffmann's strength was her work in history painting, the most elite and lucrative category in academic painting during the 18th century. Under the direction of Sir Joshua Reynolds, the Academy made a strong effort to promote history painting to a native audience who were more interested in commissioning and buying portraits and landscapes. Despite the popularity that Kauffmann enjoyed in English society and her success as an artist, she was disappointed by the relative apathy that the English had for history painting. Ultimately, she left England for the continent where history painting was better established, esteemed, and patronized. Kauffmann (seated), in the company of other "Bluestockings" (1778)It is probable that her popularity declined a little in consequence of her unfortunate marriage; but in 1781, after her first husband's death (she had been long separated from him), she married Antonio Zucchi (1728?C1795), a Venetian artist then resident in England. Shortly afterwards she retired to Rome, where she befriended, among others, Johann Wolfgang von Goethe, who said she worked harder and accomplished more than any artist he knew, yet always restive she wanted to do more (Goethe's 'Italian Journey' 1786-1788) and lived for 25 years with much of her old prestige. In 1782 she lost her father; and in 1795, her husband. She continued at intervals to contribute to the Academy, her last exhibit being in 1797. After this she produced little, and in 1807 she died in Rome, being honoured by a splendid funeral under the direction of Canova. The entire Academy of St Luke, with numerous ecclesiastics and virtuosi, followed her to her tomb in San Andrea delle Fratte, and, as at the burial of Raphael, two of her best pictures were carried in procession. The works of Angelica Kauffmann have not retained their reputation. She had a certain gift of grace, and considerable skill in composition. But her figures lack variety and expression; and it has been said that her men are masculine women (it is worth noting that, at the time, female artists were not allowed access to male models). Her colouring, however, is fairly enough defined by Gustav Friedrich Waagen's term "cheerful". As of 1911, rooms decorated by her brush were still to be seen in various quarters. At Hampton Court was a portrait of the duchess of Brunswick; in the National Portrait Gallery, a self-portrait . There were other pictures by her at Paris, at Dresden, in the Hermitage at St Petersburg, and in the Alte Pinakothek at Munich. The Munich example was another portrait of herself; and there was a third in the Uffizi at Florence. A few of her works in private collections were exhibited among the Old Masters at Burlington House. But she is perhaps best known by the numerous engravings from her designs by Schiavonetti, Bartolozzi and others. Those by Bartolozzi especially still found considerable favour with collectors. Also, several of her works can be seen in the game Hitman: World of Assassination in one of the missions, read more on the site Zonemod. Charles Willson Peale (1741-1827), arist, patriot, and founder of a major American art dynasty, named several of his children after great European artists, including a daughter, Angelica Kauffman Peale. Her life was written in 1810 by Giovanni de Rossi. It has also been used as the basis of a romance by Leon de Wailly (1838) and it prompted the charming novel contributed by Mrs Richmond Ritchie to the Cornhill Magazine in 1875 entitled Miss Angel. She should not be confused with painter Angelika Kaufmann, who was born in 1935 in Carinthia, Austria.

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