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Andrea Mantegna Oil Painting Reproductions

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Andrea Mantegna Freskenzyklus in der Camera degli Sposi im Palazzo Ducale in Mantua, Szene: Zusammentreffen von Herzog Ludovico Gonzaga mit Kardinal Francesco Gonzaga oil


Andrea Mantegna
Freskenzyklus in der Camera degli Sposi im Palazzo Ducale in Mantua, Szene: Zusammentreffen von Herzog Ludovico Gonzaga mit Kardinal Francesco Gonzaga
Painting ID::  73332
new24/Andrea Mantegna-385579.jpg
Freskenzyklus in der Camera degli Sposi im Palazzo Ducale in Mantua, Szene: Zusammentreffen von Herzog Ludovico Gonzaga mit Kardinal Francesco Gonzaga
Freskenzyklus in der Camera degli Sposi im Palazzo Ducale in Mantua, Szene: Zusammentreffen von Herzog Ludovico Gonzaga mit Kardinal Francesco Gonzaga, Detail: Francesco und Sigismondo Gonzaga, Söhne des Kardinal Francesco Gonzaga. cjr
   
   
     

Andrea Mantegna Hl. Familie mit Hl. Elisabeth und Johannesknaben oil


Andrea Mantegna
Hl. Familie mit Hl. Elisabeth und Johannesknaben
Painting ID::  76551
new24/Andrea Mantegna-737896.jpg
Hl. Familie mit Hl. Elisabeth und Johannesknaben
Oil on canvas 75 ?? 61 cm cjr
   
   
     

Andrea Mantegna Christus als Schmerzensmann oil


Andrea Mantegna
Christus als Schmerzensmann
Painting ID::  78127
new24/Andrea Mantegna-863677.jpg
Christus als Schmerzensmann
1489 Oil on panel 83 x 51 cm cjr
   
   
     

Andrea Mantegna Hl. Familie mit Hl oil


Andrea Mantegna
Hl. Familie mit Hl
Painting ID::  78435
new24/Andrea Mantegna-988479.jpg
Hl. Familie mit Hl
Oil on canvas Dimensions 75 x 61 cm cyf
   
   
     

Andrea Mantegna Madonna mit Hl. Maria Magdalena und Hl. Johannes dem Taufer oil


Andrea Mantegna
Madonna mit Hl. Maria Magdalena und Hl. Johannes dem Taufer
Painting ID::  78781
new24/Andrea Mantegna-597747.jpg
Madonna mit Hl. Maria Magdalena und Hl. Johannes dem Taufer
3rd third of 15th century Oil on canvas 136 x 114 cm cjr
   
   
     

Andrea Mantegna Dalia und Samson oil


Andrea Mantegna
Dalia und Samson
Painting ID::  79068
new24/Andrea Mantegna-656889.jpg
Dalia und Samson
1495 Oil on canvas 47 x 37 cm cjr
   
   
     

Andrea Mantegna Christus als Schmerzensmann oil


Andrea Mantegna
Christus als Schmerzensmann
Painting ID::  81464
new24/Andrea Mantegna-738496.jpg
Christus als Schmerzensmann
1489 Medium Oil on panel Dimensions 83 x 51 cm cyf
   
   
     

Andrea Mantegna Triumph des Scipio oil


Andrea Mantegna
Triumph des Scipio
Painting ID::  81757
new24/Andrea Mantegna-459799.jpg
Triumph des Scipio
English: c. 1500 Medium Oil on panel cyf
   
   
     

Andrea Mantegna 3rd third of 15th century oil


Andrea Mantegna
3rd third of 15th century
Painting ID::  81877
new24/Andrea Mantegna-557595.jpg
3rd third of 15th century
Oil on canvas Dimensions Deutsch: 136 x 114 cm cyf
   
   
     

Andrea Mantegna The Madonna and Child with Saints Joseph, Elizabeth, and John the Baptist, distemper oil


Andrea Mantegna
The Madonna and Child with Saints Joseph, Elizabeth, and John the Baptist, distemper
Painting ID::  82442
new24/Andrea Mantegna-783875.jpg
The Madonna and Child with Saints Joseph, Elizabeth, and John the Baptist, distemper
The Madonna and Child with Saints Joseph, Elizabeth, and John the Baptist, distemper, oil, and gold on canvas by Andrea Mantegna, c. 1485 - 88, Kimbell Art Museum Date c. 1485 - 88 cjr
   
   
     

Andrea Mantegna Christ Welcoming the Virgin in Heaven oil


Andrea Mantegna
Christ Welcoming the Virgin in Heaven
Painting ID::  83254
new24/Andrea Mantegna-889469.jpg
Christ Welcoming the Virgin in Heaven
Date between 1460(1460) and 1464(1464) Medium Oil on wood cjr
   
   
     

Andrea Mantegna Suite of Cardinal Francesco oil


Andrea Mantegna
Suite of Cardinal Francesco
Painting ID::  84148
new24/Andrea Mantegna-647339.jpg
Suite of Cardinal Francesco
Date between 1465(1465) and 1474(1474) Medium Walnut oil on plaster cjr
   
   
     

Andrea Mantegna Death of the Virgin oil


Andrea Mantegna
Death of the Virgin
Painting ID::  84678
new25/Andrea Mantegna-697376.jpg
Death of the Virgin
Date between 1460(1460) and 1464(1464) Medium Oil on wood cjr
   
   
     

Andrea Mantegna Maria mit Kind und Engeln oil


Andrea Mantegna
Maria mit Kind und Engeln
Painting ID::  85322
new25/Andrea Mantegna-374556.jpg
Maria mit Kind und Engeln
Date 1485 Medium Oil on panel Dimensions Deutsch: 88 x 71 cm cjr
   
   
     

Andrea Mantegna The Court of Gonzaga oil


Andrea Mantegna
The Court of Gonzaga
Painting ID::  85842
new25/Andrea Mantegna-353557.jpg
The Court of Gonzaga
Date between 1465(1465) and 1474(1474) Medium Walnut oil on plaster Dimensions Height: 805 cm (316.9 in). Width: 807 cm (317.7 in). cjr
   
   
     

Andrea Mantegna The Madonna and Child with Saints Joseph oil


Andrea Mantegna
The Madonna and Child with Saints Joseph
Painting ID::  85917
new25/Andrea Mantegna-845563.jpg
The Madonna and Child with Saints Joseph
oil, and gold on canvas by Andrea Mantegna, c. 1485 - 88, Kimbell Art Museum Date c. 1485 - 88 cyf
   
   
     

Andrea Mantegna Suite of Cardinal Francesco oil


Andrea Mantegna
Suite of Cardinal Francesco
Painting ID::  87990
new25/Andrea Mantegna-775933.jpg
Suite of Cardinal Francesco
between 1465(1465) and 1474 cyf
   
   
     

Andrea Mantegna Suite of Cardinal Francesco oil


Andrea Mantegna
Suite of Cardinal Francesco
Painting ID::  87991
new25/Andrea Mantegna-956869.jpg
Suite of Cardinal Francesco
between 1465(1465) and 1474 cyf
   
   
     

Andrea Mantegna Grotesque self-portrait oil


Andrea Mantegna
Grotesque self-portrait
Painting ID::  87992
new25/Andrea Mantegna-369348.jpg
Grotesque self-portrait
between 1465(1465) and 1474 cyf
   
   
     

Andrea Mantegna Inscription with Putti oil


Andrea Mantegna
Inscription with Putti
Painting ID::  87993
new25/Andrea Mantegna-377787.jpg
Inscription with Putti
between 1465(1465) and 1474 cyf
   
   
     

Andrea Mantegna Inscription with Putti oil


Andrea Mantegna
Inscription with Putti
Painting ID::  87994
new25/Andrea Mantegna-467953.jpg
Inscription with Putti
between 1465(1465) and 1474 cyf
   
   
     

Andrea Mantegna The Meeting oil


Andrea Mantegna
The Meeting
Painting ID::  87995
new25/Andrea Mantegna-385833.jpg
The Meeting
between 1465(1465) and 1474 cyf
   
   
     

Andrea Mantegna The Meeting oil


Andrea Mantegna
The Meeting
Painting ID::  87996
new25/Andrea Mantegna-588536.jpg
The Meeting
between 1465(1465) and 1474 cyf
   
   
     

Andrea Mantegna The Meeting oil


Andrea Mantegna
The Meeting
Painting ID::  87997
new25/Andrea Mantegna-496867.jpg
The Meeting
between 1465(1465) and 1474 cyf
   
   
     

Andrea Mantegna The Meeting oil


Andrea Mantegna
The Meeting
Painting ID::  87998
new25/Andrea Mantegna-934966.jpg
The Meeting
Date between 1465(1465) and 1474 cyf
   
   
     

Andrea Mantegna The Meeting oil


Andrea Mantegna
The Meeting
Painting ID::  87999
new25/Andrea Mantegna-545769.jpg
The Meeting
Date between 1465(1465) and 1474 cyf
   
   
     

Andrea Mantegna The Meeting oil


Andrea Mantegna
The Meeting
Painting ID::  88000
new25/Andrea Mantegna-789648.jpg
The Meeting
Date between 1465(1465) and 1474 cyf
   
   
     

Andrea Mantegna The Court of Gonzaga oil


Andrea Mantegna
The Court of Gonzaga
Painting ID::  88001
new25/Andrea Mantegna-945694.jpg
The Court of Gonzaga
Date between 1465(1465) and 1474 cyf
   
   
     

Andrea Mantegna The Court of Gonzaga oil


Andrea Mantegna
The Court of Gonzaga
Painting ID::  88002
new25/Andrea Mantegna-954348.jpg
The Court of Gonzaga
Date between 1465(1465) and 1474 cyf
   
   
     

Andrea Mantegna The Court of Gonzaga oil


Andrea Mantegna
The Court of Gonzaga
Painting ID::  88003
new25/Andrea Mantegna-494742.jpg
The Court of Gonzaga
Date between 1465(1465) and 1474 cyf
   
   
     

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     Andrea Mantegna
     Italian 1431-1506 Andrea Mantegna Locations Mantegna was born in Isola di Carturo, close to Padua in the Republic of Venice, second son of a carpenter, Biagio. At the age of eleven he became the apprentice of Francesco Squarcione, Paduan painter. Squarcione, whose original vocation was tailoring, appears to have had a remarkable enthusiasm for ancient art, and a faculty for acting. Like his famous compatriot Petrarca, Squarcione was something of a fanatic for ancient Rome: he travelled in Italy, and perhaps Greece, amassing antique statues, reliefs, vases, etc., forming a collection of such works, then making drawings from them himself, and throwing open his stores for others to study. All the while, he continued undertaking works on commission for which his pupils no less than himself were made available. San Zeno Altarpiece, (left panel), 1457-60; San Zeno, VeronaAs many as 137 painters and pictorial students passed through Squarcine's school, which had been established towards 1440 and which became famous all over Italy. Padua was attractive for artists coming not only from Veneto but also from Tuscany, such as Paolo Uccello, Filippo Lippi and Donatello. Mantegna's early career was shaped indeed by impressions of Florentine works. At the time, Mantegna was said to be a favorite pupil; Squarcione taught him the Latin language, and instructed him to study fragments of Roman sculpture. The master also preferred forced perspective, the lingering results of which may account for some Mantegna's later innovations. However, at the age of seventeen, Mantegna separated himself from Squarcione. He later claimed that Squarcione had profited from his work without paying the rights. His first work, now lost, was an altarpiece for the church of Santa Sofia in 1448. The same year Mantegna was called, together with Nicol?? Pizolo, to work with a large group of painters entrusted with the decoration of the Ovetari Chapel in the apse of the church of Eremitani. It is probable, however, that before this time some of the pupils of Squarcione, including Mantegna, had already begun the series of frescoes in the chapel of S. Cristoforo, in the church of Sant'Agostino degli Eremitani, today considered his masterpiece. After a series of coincidences, Mantegna finished most of the work alone, though Ansuino, who collaborated with Mantegna in the Ovetari Chapel, brought his style in the Forl?? school of painting. The now censorious Squarcione carped about the earlier works of this series, illustrating the life of St James; he said the figures were like men of stone, and had better have been colored stone-color at once. This series was almost entirely lost in the 1944 Allied bombings of Padua. The most dramatic work of the fresco cycle was the work set in the worm's-eye view perspective, St. James Led to His Execution. (For an example of Mantegna's use of a lowered view point, see the image at right of Saints Peter and Paul; though much less dramatic in its perspective that the St. James picture, the San Zeno altarpiece was done shortly after the St. James cycle was finished, and uses many of the same techniques, including the classicizing architectural structure.) San Luca Altarpiece, 1453; Tempera on panel; Pinacoteca di Brera, MilanThe sketch of the St. Stephen fresco survived and is the earliest known preliminary sketch which still exists to compare to the corresponding fresco. Despite the authentic look of the monument, it is not a copy of any known Roman structure. Mantegna also adopted the wet drapery patterns of the Romans, who derived the form from the Greek invention, for the clothing of his figures, although the tense figures and interactions are derived from Donatello. The drawing shows proof that nude figures were used in the conception of works during the Early Renaissance. In the preliminary sketch, the perspective is less developed and closer to a more average viewpoint however. Among the other early Mantegna frescoes are the two saints over the entrance porch of the church of Sant'Antonio in Padua, 1452, and an altarpiece of St. Luke and other saints (at left) for the church of S. Giustina, now in the Brera Gallery in Milan (1453). As the young artist progressed in his work, he came under the influence of Jacopo Bellini, father of the celebrated painters Giovanni and Gentile, and of a daughter Nicolosia. In 1453 Jacopo consented to a marriage between Nicolosia to Mantegna in marriage.

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