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Andrea Mantegna Oil Painting Reproductions
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Andrea Mantegna The Battle of the Sea God with the initial of the artist and the date oil


Andrea Mantegna
The Battle of the Sea God with the initial of the artist and the date
Painting ID::  42269
new16/Andrea Mantegna-446998.jpg 		The Battle of the Sea God with the initial of the artist and the date
mk168 1494 Pen and ink on paper 292x382mm
   
   
     
Andrea Mantegna The Castle and Town of Arco oil


Andrea Mantegna
The Castle and Town of Arco
Painting ID::  42271
new16/Andrea Mantegna-355398.jpg 		The Castle and Town of Arco
mk168 Watercolor and body color on paper 223x222mm
   
   
     
Andrea Mantegna Island Abode oil


Andrea Mantegna
Island Abode
Painting ID::  42272
new16/Andrea Mantegna-685232.jpg 		Island Abode
mk168 213x225mm London British Museum
   
   
     
Andrea Mantegna De died Christ oil


Andrea Mantegna
De died Christ
Painting ID::  42510
new16/Andrea Mantegna-969738.jpg 		De died Christ
m k169 after 1466. Tempered on cloth 67.9x81cm Pinacoteca Tue Brera, Milan
   
   
     
Andrea Mantegna St. Sebastiaan oil


Andrea Mantegna
St. Sebastiaan
Painting ID::  42633
new16/Andrea Mantegna-684226.jpg 		St. Sebastiaan
MK169 ca. 1460 Panel 68x30cm Kunsthistorisches Museum, Weep
   
   
     
Andrea Mantegna The Agony in the Garden oil


Andrea Mantegna
The Agony in the Garden
Painting ID::  42901
new16/Andrea Mantegna-289365.jpg 		The Agony in the Garden
mk170 Circa 1460 Tempera on wood 62.9x80cm
   
   
     
Andrea Mantegna Detail of The Agony in the Garden oil


Andrea Mantegna
Detail of The Agony in the Garden
Painting ID::  42902
new16/Andrea Mantegna-482955.jpg 		Detail of The Agony in the Garden
mk170
   
   
     
Andrea Mantegna The Virgin and Child with the Magadalen and Saint John the Baptist oil


Andrea Mantegna
The Virgin and Child with the Magadalen and Saint John the Baptist
Painting ID::  42910
new16/Andrea Mantegna-286532.jpg 		The Virgin and Child with the Magadalen and Saint John the Baptist
mk170 circa 1500 Tempera on canvas 139.1x116.8cm
   
   
     
Andrea Mantegna The Holy Fmaily with Saint John oil


Andrea Mantegna
The Holy Fmaily with Saint John
Painting ID::  42911
new16/Andrea Mantegna-726653.jpg 		The Holy Fmaily with Saint John
mk170 circa 1500 Tempera on canvas 71.1x50.8cm
   
   
     
Andrea Mantegna Parnassus oil


Andrea Mantegna
Parnassus
Painting ID::  44857
new16/Andrea Mantegna-849676.jpg 		Parnassus
mk176 c.1490 Oil on canvas 63.5x75.37in
   
   
     
Andrea Mantegna Caesar-s Chariot oil


Andrea Mantegna
Caesar-s Chariot
Painting ID::  50866
new18/Andrea Mantegna-754689.jpg 		Caesar-s Chariot
mk216 Caesar-s Chariot rom the triumph of caesar Mantegna was the most important 15-century North Italian painter and the Triumph of Caesar may well be his masterpiece Even Today
   
   
     
Andrea Mantegna Detail of Ceiling from the Camera degli Sposi oil


Andrea Mantegna
Detail of Ceiling from the Camera degli Sposi
Painting ID::  51716
new19/Andrea Mantegna-869264.jpg 		Detail of Ceiling from the Camera degli Sposi
nn09 c.1474
   
   
     
Andrea Mantegna Putti Holding Dedicatory Tablet oil


Andrea Mantegna
Putti Holding Dedicatory Tablet
Painting ID::  51717
new19/Andrea Mantegna-577224.jpg 		Putti Holding Dedicatory Tablet
nn09 c.1474 Fresco
   
   
     
Andrea Mantegna Virgin Marie dod oil


Andrea Mantegna
Virgin Marie dod
Painting ID::  53698
new19/Andrea Mantegna-725958.jpg 		Virgin Marie dod
mk234 about 1460 54x42cm
   
   
     
Andrea Mantegna Mansportratt oil


Andrea Mantegna
Mansportratt
Painting ID::  53699
new19/Andrea Mantegna-988843.jpg 		Mansportratt
mk234 probably about 1460 24x19cm
   
   
     
Andrea Mantegna Judit with Holofernes-head oil


Andrea Mantegna
Judit with Holofernes-head
Painting ID::  53700
new19/Andrea Mantegna-242466.jpg 		Judit with Holofernes-head
mk234 about 1495 30x18cm
   
   
     
Andrea Mantegna Christ in Gethsemane oil


Andrea Mantegna
Christ in Gethsemane
Painting ID::  53701
new19/Andrea Mantegna-768573.jpg 		Christ in Gethsemane
mk234 about 1460 63x81cm
   
   
     
Andrea Mantegna ecce homo oil


Andrea Mantegna
ecce homo
Painting ID::  55985
new20/Andrea Mantegna-588277.jpg 		ecce homo
mk247 c.1500,tempera on canvas,21.25x16.5 in,54x42 cm,musee jacquemart-andre,paris,france
   
   
     
Andrea Mantegna ludovico ii gonzag moter sin son oil


Andrea Mantegna
ludovico ii gonzag moter sin son
Painting ID::  56628
new20/Andrea Mantegna-583938.jpg 		ludovico ii gonzag moter sin son
mk248 freskernarna i camera degli sposi i bertigpalatset i mantua ar slaende exempel pa 1400-tllusionism.
   
   
     
Andrea Mantegna klagan over den dode kristus oil


Andrea Mantegna
klagan over den dode kristus
Painting ID::  56629
new20/Andrea Mantegna-832749.jpg 		klagan over den dode kristus
mk248 mantegna bar ramat in ett begransat rum pa ett satt som rent arkitektoniskt definierar det som ett barbus ocb sin erfarenbet av klassiska modeller frmedelar ban genom kristusgestalten en imponerande strambet. hans masterliga forminskning gor ocksa att betraktaren uppmarksammar de genomborrade fotterna, oavsett ur vilken vinken vinkel verket betraktas. malade fran mantegnas modeller av vikt papper ocb fastklistrat tyg.
   
   
     
Andrea Mantegna The Passion of Jesus as oil


Andrea Mantegna
The Passion of Jesus as
Painting ID::  57230
new20/Andrea Mantegna-528538.jpg 		The Passion of Jesus as
mk255 about the year 1457-1459. Plastic dye painting, oil painting, wood is about 0.76 meters, 0.96 meters wide. Paris, the Louvre.
   
   
     
Andrea Mantegna Medici portrait oil


Andrea Mantegna
Medici portrait
Painting ID::  58331
new20/Andrea Mantegna-687793.jpg 		Medici portrait
mk261 Florence in 1466 egg tempera of wood 41.3 x 29.5 cm
   
   
     
Andrea Mantegna The Agony in the Garden oil


Andrea Mantegna
The Agony in the Garden
Painting ID::  59746
new21/Andrea Mantegna-898654.jpg 		The Agony in the Garden
The Agony in the Garden (right panel of the predella of the San Zeno Altarpiece, 1455) National Gallery, London is the pinnacle of Mantegna's early style.
   
   
     
Andrea Mantegna San Luca Altarpiece oil


Andrea Mantegna
San Luca Altarpiece
Painting ID::  59747
new21/Andrea Mantegna-374573.jpg 		San Luca Altarpiece
San Luca Altarpiece, 1453; Tempera on panel; Pinacoteca di Brera, Milan
   
   
     
Andrea Mantegna San Zeno Altarpiece, oil


Andrea Mantegna
San Zeno Altarpiece,
Painting ID::  59748
new21/Andrea Mantegna-452863.jpg 		San Zeno Altarpiece,
San Zeno Altarpiece, (central panel), 1457-60; San Zeno, Verona
   
   
     
Andrea Mantegna Detail of the frescoes in the Camera degli Sposi in the Palazzo Ducale in Mantua oil


Andrea Mantegna
Detail of the frescoes in the Camera degli Sposi in the Palazzo Ducale in Mantua
Painting ID::  59749
new21/Andrea Mantegna-867997.jpg 		Detail of the frescoes in the Camera degli Sposi in the Palazzo Ducale in Mantua
Detail of the frescoes in the Camera degli Sposi in the Palazzo Ducale in Mantua
   
   
     
Andrea Mantegna The court of Mantua, fresco for the Camera degli Sposi of Palazzo Ducale, Mantua. oil


Andrea Mantegna
The court of Mantua, fresco for the Camera degli Sposi of Palazzo Ducale, Mantua.
Painting ID::  59750
new21/Andrea Mantegna-357355.jpg 		The court of Mantua, fresco for the Camera degli Sposi of Palazzo Ducale, Mantua.
The court of Mantua, fresco for the Camera degli Sposi of Palazzo Ducale, Mantua.
   
   
     
Andrea Mantegna The Madonna of the Cherubim oil


Andrea Mantegna
The Madonna of the Cherubim
Painting ID::  59751
new21/Andrea Mantegna-454697.jpg 		The Madonna of the Cherubim
The Madonna of the Cherubim (1485).
   
   
     
Andrea Mantegna The Lamentation over the Dead Christ oil


Andrea Mantegna
The Lamentation over the Dead Christ
Painting ID::  59752
new21/Andrea Mantegna-849892.jpg 		The Lamentation over the Dead Christ
The Lamentation over the Dead Christ Tempera on canvas, 68x81 cm, 1490 Pinacoteca di Brera, Milan.
   
   
     
Andrea Mantegna San Girolamo nel Deserto oil


Andrea Mantegna
San Girolamo nel Deserto
Painting ID::  68140
new23/Andrea Mantegna-737366.jpg 		San Girolamo nel Deserto
Year from 1448(1448) until 1451(1451) (from 1450(1450) until 1451(1451)?) Technique Tempera on panel Dimensions 48 X 36 cm
   
   
     
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     Andrea Mantegna
     Italian 1431-1506 Andrea Mantegna Locations Mantegna was born in Isola di Carturo, close to Padua in the Republic of Venice, second son of a carpenter, Biagio. At the age of eleven he became the apprentice of Francesco Squarcione, Paduan painter. Squarcione, whose original vocation was tailoring, appears to have had a remarkable enthusiasm for ancient art, and a faculty for acting. Like his famous compatriot Petrarca, Squarcione was something of a fanatic for ancient Rome: he travelled in Italy, and perhaps Greece, amassing antique statues, reliefs, vases, etc., forming a collection of such works, then making drawings from them himself, and throwing open his stores for others to study. All the while, he continued undertaking works on commission for which his pupils no less than himself were made available. San Zeno Altarpiece, (left panel), 1457-60; San Zeno, VeronaAs many as 137 painters and pictorial students passed through Squarcine's school, which had been established towards 1440 and which became famous all over Italy. Padua was attractive for artists coming not only from Veneto but also from Tuscany, such as Paolo Uccello, Filippo Lippi and Donatello. Mantegna's early career was shaped indeed by impressions of Florentine works. At the time, Mantegna was said to be a favorite pupil; Squarcione taught him the Latin language, and instructed him to study fragments of Roman sculpture. The master also preferred forced perspective, the lingering results of which may account for some Mantegna's later innovations. However, at the age of seventeen, Mantegna separated himself from Squarcione. He later claimed that Squarcione had profited from his work without paying the rights. His first work, now lost, was an altarpiece for the church of Santa Sofia in 1448. The same year Mantegna was called, together with Nicol?? Pizolo, to work with a large group of painters entrusted with the decoration of the Ovetari Chapel in the apse of the church of Eremitani. It is probable, however, that before this time some of the pupils of Squarcione, including Mantegna, had already begun the series of frescoes in the chapel of S. Cristoforo, in the church of Sant'Agostino degli Eremitani, today considered his masterpiece. After a series of coincidences, Mantegna finished most of the work alone, though Ansuino, who collaborated with Mantegna in the Ovetari Chapel, brought his style in the Forl?? school of painting. The now censorious Squarcione carped about the earlier works of this series, illustrating the life of St James; he said the figures were like men of stone, and had better have been colored stone-color at once. This series was almost entirely lost in the 1944 Allied bombings of Padua. The most dramatic work of the fresco cycle was the work set in the worm's-eye view perspective, St. James Led to His Execution. (For an example of Mantegna's use of a lowered view point, see the image at right of Saints Peter and Paul; though much less dramatic in its perspective that the St. James picture, the San Zeno altarpiece was done shortly after the St. James cycle was finished, and uses many of the same techniques, including the classicizing architectural structure.) San Luca Altarpiece, 1453; Tempera on panel; Pinacoteca di Brera, MilanThe sketch of the St. Stephen fresco survived and is the earliest known preliminary sketch which still exists to compare to the corresponding fresco. Despite the authentic look of the monument, it is not a copy of any known Roman structure. Mantegna also adopted the wet drapery patterns of the Romans, who derived the form from the Greek invention, for the clothing of his figures, although the tense figures and interactions are derived from Donatello. The drawing shows proof that nude figures were used in the conception of works during the Early Renaissance. In the preliminary sketch, the perspective is less developed and closer to a more average viewpoint however. Among the other early Mantegna frescoes are the two saints over the entrance porch of the church of Sant'Antonio in Padua, 1452, and an altarpiece of St. Luke and other saints (at left) for the church of S. Giustina, now in the Brera Gallery in Milan (1453). As the young artist progressed in his work, he came under the influence of Jacopo Bellini, father of the celebrated painters Giovanni and Gentile, and of a daughter Nicolosia. In 1453 Jacopo consented to a marriage between Nicolosia to Mantegna in marriage.

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