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Andrea Mantegna Oil Painting Reproductions
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Andrea Mantegna The Presentaion in the Temple oil


Andrea Mantegna
The Presentaion in the Temple
Painting ID::  26711
new2/Andrea Mantegna-753746.jpg 		The Presentaion in the Temple
mk52 c.1460 Tempera on canvas 68.9x86.3cm Gemaldegalerie,Berlin
   
   
     
Andrea Mantegna The Death of the Virgin oil


Andrea Mantegna
The Death of the Virgin
Painting ID::  28604
new3/Andrea Mantegna-882667.jpg 		The Death of the Virgin
mk61 c.1460 Tempera on panel 54x42cm
   
   
     
Andrea Mantegna Portrait of Carlo de'Medici oil


Andrea Mantegna
Portrait of Carlo de'Medici
Painting ID::  29792
new3/Andrea Mantegna-675368.jpg 		Portrait of Carlo de'Medici
mk67 Tempera on panel 16x11 7/16in Uffizi,Gallery
   
   
     
Andrea Mantegna Triptych oil


Andrea Mantegna
Triptych
Painting ID::  29793
new3/Andrea Mantegna-477646.jpg 		Triptych
mk67 Tempera on panel 33 7/8x63 9/16in
   
   
     
Andrea Mantegna Madonna and Child oil


Andrea Mantegna
Madonna and Child
Painting ID::  29794
new3/Andrea Mantegna-239328.jpg 		Madonna and Child
mk67 Tempera and panel 11 7/8x8 7/16in Uffizi,Gallery
   
   
     
Andrea Mantegna Adoration of the Magi oil


Andrea Mantegna
Adoration of the Magi
Painting ID::  30423
new4/Andrea Mantegna-985468.jpg 		Adoration of the Magi
mk68 Tempera on wood Florence,Uffizi.
   
   
     
Andrea Mantegna Crucifixion,from the San Zeno Altarpiece oil


Andrea Mantegna
Crucifixion,from the San Zeno Altarpiece
Painting ID::  30424
new4/Andrea Mantegna-282527.jpg 		Crucifixion,from the San Zeno Altarpiece
mk68 Tempera on wood 26 1/2x36 1/2 Paris. Louvre
   
   
     
Andrea Mantegna Portrait of Cardinal de'Medici oil


Andrea Mantegna
Portrait of Cardinal de'Medici
Painting ID::  30429
new4/Andrea Mantegna-357889.jpg 		Portrait of Cardinal de'Medici
mk68 Tempera on wood 16x11 1/2 Florence,Uffizi, c.1466 ltaly
   
   
     
Andrea Mantegna Family and Court of Ludovico Gonzaga oil


Andrea Mantegna
Family and Court of Ludovico Gonzaga
Painting ID::  30430
new4/Andrea Mantegna-689637.jpg 		Family and Court of Ludovico Gonzaga
mk68 Fresco Mantua, Ducal Palace,Camera Picta 1465-1474 ltaly
   
   
     
Andrea Mantegna Ceiling Oculus oil


Andrea Mantegna
Ceiling Oculus
Painting ID::  30433
new4/Andrea Mantegna-624286.jpg 		Ceiling Oculus
mk68 Fresco,diameter of central part Mantua Ducal Palace Camera Picta
   
   
     
Andrea Mantegna Foreshortened Christ oil


Andrea Mantegna
Foreshortened Christ
Painting ID::  30438
new4/Andrea Mantegna-556392.jpg 		Foreshortened Christ
mk68 Tempera on canvas 26 3/4x32" Milan,Brera Gallery c.1480
   
   
     
Andrea Mantegna The adoration of the Konige oil


Andrea Mantegna
The adoration of the Konige
Painting ID::  38455
new12/LEONARDO da Vinci-534465.jpg 		The adoration of the Konige
mk137 ca.1497-1500 Tempera and gold on linen 54.6x70cm
   
   
     
Andrea Mantegna Servant with horse and dog oil


Andrea Mantegna
Servant with horse and dog
Painting ID::  38490
new12/Andrea Mantegna-923696.jpg 		Servant with horse and dog
mk137 1471-1474 fresco Camera Picta, Palazzo Ducale, Mantua
   
   
     
Andrea Mantegna Would baptize Christs oil


Andrea Mantegna
Would baptize Christs
Painting ID::  38541
new12/Andrea Mantegna-886756.jpg 		Would baptize Christs
mk137 ca.1500-1505 Tempera on linen 228x175cm church SAINT Andrea, Mantua
   
   
     
Andrea Mantegna St Sebastian oil


Andrea Mantegna
St Sebastian
Painting ID::  39582
new12/Andrea Mantegna-243588.jpg 		St Sebastian
mk150 c.1459
   
   
     
Andrea Mantegna Death of the Virgin oil


Andrea Mantegna
Death of the Virgin
Painting ID::  40204
new12/Andrea Mantegna-797246.jpg 		Death of the Virgin
mk156 c.1461 Oil on panel 54x42cm
   
   
     
Andrea Mantegna Agony in the Garden oil


Andrea Mantegna
Agony in the Garden
Painting ID::  40216
new12/Andrea Mantegna-589599.jpg 		Agony in the Garden
mk156 c.1459 Oil on panel Musee des Beaux-Arts de Tours. Tours
   
   
     
Andrea Mantegna Portrait of Carlo de Medici oil


Andrea Mantegna
Portrait of Carlo de Medici
Painting ID::  40220
new12/Andrea Mantegna-338783.jpg 		Portrait of Carlo de Medici
mk156 1467 Oil on panel 40.6x29.5cm
   
   
     
Andrea Mantegna Camera Picta,Ducal Palace oil


Andrea Mantegna
Camera Picta,Ducal Palace
Painting ID::  40222
new12/Andrea Mantegna-252753.jpg 		Camera Picta,Ducal Palace
mk156 1465-1474 Fresco Palazzo Ducale Mantova
   
   
     
Andrea Mantegna Madonna and child oil


Andrea Mantegna
Madonna and child
Painting ID::  40255
new12/Andrea Mantegna-987372.jpg 		Madonna and child
mk156 1485 Oil on panel 29x21.5cm
   
   
     
Andrea Mantegna The Lamentation over the Dead Christ oil


Andrea Mantegna
The Lamentation over the Dead Christ
Painting ID::  40263
new12/Andrea Mantegna-985897.jpg 		The Lamentation over the Dead Christ
mk156 c.1490 Tempera on canvas 68x81cm
   
   
     
Andrea Mantegna St.Sebastian oil


Andrea Mantegna
St.Sebastian
Painting ID::  41192
new16/Andrea Mantegna-527797.jpg 		St.Sebastian
mk157 1504-6 Canvas 210x91cm
   
   
     
Andrea Mantegna Adoration of the Shepherds oil


Andrea Mantegna
Adoration of the Shepherds
Painting ID::  41271
new16/Andrea Mantegna-455863.jpg 		Adoration of the Shepherds
mk161 Tempera on canvas transferred from wood
   
   
     
Andrea Mantegna The Madonna and the Nino oil


Andrea Mantegna
The Madonna and the Nino
Painting ID::  41955
new16/Andrea Mantegna-932839.jpg 		The Madonna and the Nino
mk166 1489-1490 Tempera on board of wood 29x21.5cm Uffizi, Florence
   
   
     
Andrea Mantegna A Bacchanal with Silenus oil


Andrea Mantegna
A Bacchanal with Silenus
Painting ID::  42263
new16/Andrea Mantegna-236225.jpg 		A Bacchanal with Silenus
mk168 Engraving 292x448mm
   
   
     
Andrea Mantegna A Bacchanal with silengus oil


Andrea Mantegna
A Bacchanal with silengus
Painting ID::  42264
new16/Andrea Mantegna-966754.jpg 		A Bacchanal with silengus
mk168 298x435mm
   
   
     
Andrea Mantegna Innsbruck Seen From the North oil


Andrea Mantegna
Innsbruck Seen From the North
Painting ID::  42265
new16/Andrea Mantegna-349596.jpg 		Innsbruck Seen From the North
mk168 127x187mm
   
   
     
Andrea Mantegna Landscape near Segonzano in the Cembra Valley oil


Andrea Mantegna
Landscape near Segonzano in the Cembra Valley
Painting ID::  42266
new16/Andrea Mantegna-458526.jpg 		Landscape near Segonzano in the Cembra Valley
mk168 Watercolor on paper 210x312mm
   
   
     
Andrea Mantegna The Battle of the Sea Gods oil


Andrea Mantegna
The Battle of the Sea Gods
Painting ID::  42267
new16/Andrea Mantegna-972496.jpg 		The Battle of the Sea Gods
mk168 Engraving in two parts 313x438mm
   
   
     
Andrea Mantegna THe Infant Christ oil


Andrea Mantegna
THe Infant Christ
Painting ID::  42270
new16/Andrea Mantegna-638882.jpg 		THe Infant Christ
mk168 1495 Pen and ink on paper 175x216mm
   
   
     
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     Andrea Mantegna
     Italian 1431-1506 Andrea Mantegna Locations Mantegna was born in Isola di Carturo, close to Padua in the Republic of Venice, second son of a carpenter, Biagio. At the age of eleven he became the apprentice of Francesco Squarcione, Paduan painter. Squarcione, whose original vocation was tailoring, appears to have had a remarkable enthusiasm for ancient art, and a faculty for acting. Like his famous compatriot Petrarca, Squarcione was something of a fanatic for ancient Rome: he travelled in Italy, and perhaps Greece, amassing antique statues, reliefs, vases, etc., forming a collection of such works, then making drawings from them himself, and throwing open his stores for others to study. All the while, he continued undertaking works on commission for which his pupils no less than himself were made available. San Zeno Altarpiece, (left panel), 1457-60; San Zeno, VeronaAs many as 137 painters and pictorial students passed through Squarcine's school, which had been established towards 1440 and which became famous all over Italy. Padua was attractive for artists coming not only from Veneto but also from Tuscany, such as Paolo Uccello, Filippo Lippi and Donatello. Mantegna's early career was shaped indeed by impressions of Florentine works. At the time, Mantegna was said to be a favorite pupil; Squarcione taught him the Latin language, and instructed him to study fragments of Roman sculpture. The master also preferred forced perspective, the lingering results of which may account for some Mantegna's later innovations. However, at the age of seventeen, Mantegna separated himself from Squarcione. He later claimed that Squarcione had profited from his work without paying the rights. His first work, now lost, was an altarpiece for the church of Santa Sofia in 1448. The same year Mantegna was called, together with Nicol?? Pizolo, to work with a large group of painters entrusted with the decoration of the Ovetari Chapel in the apse of the church of Eremitani. It is probable, however, that before this time some of the pupils of Squarcione, including Mantegna, had already begun the series of frescoes in the chapel of S. Cristoforo, in the church of Sant'Agostino degli Eremitani, today considered his masterpiece. After a series of coincidences, Mantegna finished most of the work alone, though Ansuino, who collaborated with Mantegna in the Ovetari Chapel, brought his style in the Forl?? school of painting. The now censorious Squarcione carped about the earlier works of this series, illustrating the life of St James; he said the figures were like men of stone, and had better have been colored stone-color at once. This series was almost entirely lost in the 1944 Allied bombings of Padua. The most dramatic work of the fresco cycle was the work set in the worm's-eye view perspective, St. James Led to His Execution. (For an example of Mantegna's use of a lowered view point, see the image at right of Saints Peter and Paul; though much less dramatic in its perspective that the St. James picture, the San Zeno altarpiece was done shortly after the St. James cycle was finished, and uses many of the same techniques, including the classicizing architectural structure.) San Luca Altarpiece, 1453; Tempera on panel; Pinacoteca di Brera, MilanThe sketch of the St. Stephen fresco survived and is the earliest known preliminary sketch which still exists to compare to the corresponding fresco. Despite the authentic look of the monument, it is not a copy of any known Roman structure. Mantegna also adopted the wet drapery patterns of the Romans, who derived the form from the Greek invention, for the clothing of his figures, although the tense figures and interactions are derived from Donatello. The drawing shows proof that nude figures were used in the conception of works during the Early Renaissance. In the preliminary sketch, the perspective is less developed and closer to a more average viewpoint however. Among the other early Mantegna frescoes are the two saints over the entrance porch of the church of Sant'Antonio in Padua, 1452, and an altarpiece of St. Luke and other saints (at left) for the church of S. Giustina, now in the Brera Gallery in Milan (1453). As the young artist progressed in his work, he came under the influence of Jacopo Bellini, father of the celebrated painters Giovanni and Gentile, and of a daughter Nicolosia. In 1453 Jacopo consented to a marriage between Nicolosia to Mantegna in marriage.

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