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Andrea Mantegna Oil Painting Reproductions
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Andrea Mantegna Judith and Holofernes oil


Andrea Mantegna
Judith and Holofernes
Painting ID::  2722
Andrea Mantegna8.jpg 		Judith and Holofernes
1495-1500 The National Gallery of Ireland, Dublin
   
   
     
Andrea Mantegna The Dead Christ oil


Andrea Mantegna
The Dead Christ
Painting ID::  2715
Andrea Mantegna1.jpg 		The Dead Christ
Brera Gallery, Milan
   
   
     
Andrea Mantegna The Meeting oil


Andrea Mantegna
The Meeting
Painting ID::  2716
Andrea Mantegna2.jpg 		The Meeting
1474 Palazzo Ducale, Mantua, Italy
   
   
     
Andrea Mantegna Adoration of the Magi oil


Andrea Mantegna
Adoration of the Magi
Painting ID::  2717
Andrea Mantegna3.jpg 		Adoration of the Magi
Galleria degli Uffizi, Florence
   
   
     
Andrea Mantegna Madonna and Child oil


Andrea Mantegna
Madonna and Child
Painting ID::  2718
Andrea Mantegna4.jpg 		Madonna and Child
1506 Galleria degli Uffizi, Florence
   
   
     
Andrea Mantegna Portrait of the Protonary Carlo de Medici oil


Andrea Mantegna
Portrait of the Protonary Carlo de Medici
Painting ID::  2719
Andrea Mantegna5.jpg 		Portrait of the Protonary Carlo de Medici
1459-66 Galleria degli Uffizi, Florence
   
   
     
Andrea Mantegna Samson and Delilah oil


Andrea Mantegna
Samson and Delilah
Painting ID::  2720
Andrea Mantegna6.jpg 		Samson and Delilah
National Gallery, London
   
   
     
Andrea Mantegna St.Sebastian oil


Andrea Mantegna
St.Sebastian
Painting ID::  2721
Andrea Mantegna7.jpg 		St.Sebastian
1459-60 Art History Museum, Vienna
   
   
     
Andrea Mantegna Judith and Holofernes oil


Andrea Mantegna
Judith and Holofernes
Painting ID::  2723
Andrea Mantegna9.jpg 		Judith and Holofernes
1495-1500 The National Gallery of Ireland, Dublin
   
   
     
Andrea Mantegna Madonna of Victory oil


Andrea Mantegna
Madonna of Victory
Painting ID::  2724
Andrea Mantegna10.jpg 		Madonna of Victory
Musee du Louvre, Paris
   
   
     
Andrea Mantegna Christ the Redeemer oil


Andrea Mantegna
Christ the Redeemer
Painting ID::  2725
Andrea Mantegna11.jpg 		Christ the Redeemer
Congregazione di Carita, Correggio
   
   
     
Andrea Mantegna The Crucifixion oil


Andrea Mantegna
The Crucifixion
Painting ID::  2727
Andrea Mantegna12.jpg 		The Crucifixion
1456-59 Musee du Louvre, Paris
   
   
     
Andrea Mantegna Camera degli Sposi oil


Andrea Mantegna
Camera degli Sposi
Painting ID::  2728
Andrea Mantegna13.jpg 		Camera degli Sposi
1474 Palazzo Ducale, Mantua, Italy
   
   
     
Andrea Mantegna Portrait of a Man aaa oil


Andrea Mantegna
Portrait of a Man aaa
Painting ID::  2729
Andrea Mantegna14.jpg 		Portrait of a Man aaa
1460 National Gallery of Art, Washington DC
   
   
     
Andrea Mantegna The Agony in the Garden oil


Andrea Mantegna
The Agony in the Garden
Painting ID::  2730
Andrea Mantegna15.jpg 		The Agony in the Garden
1460 National Gallery, London
   
   
     
Andrea Mantegna Camera degli Sposi oil


Andrea Mantegna
Camera degli Sposi
Painting ID::  2731
Andrea Mantegna16.jpg 		Camera degli Sposi
1474 Palazzo Ducale, Mantua, Italy
   
   
     
Andrea Mantegna Presentation at the Temple oil


Andrea Mantegna
Presentation at the Temple
Painting ID::  2732
Andrea Mantegna17.jpg 		Presentation at the Temple
Gemaldegalerie, Berlin
   
   
     
Andrea Mantegna Madonna and Child with Cherubs oil


Andrea Mantegna
Madonna and Child with Cherubs
Painting ID::  2733
Andrea Mantegna18.jpg 		Madonna and Child with Cherubs
Pinacoteca di Brera
   
   
     
Andrea Mantegna Calvary (mk05) oil


Andrea Mantegna
Calvary (mk05)
Painting ID::  20074
new5/Andrea Mantegna-894464.jpg 		Calvary (mk05)
1457-60 Wood,30 x 38''(76 x 96 cm)Center of the predella painted for the Church of San Zeno in Verona;entered he Louvre in 1798
   
   
     
Andrea Mantegna Virgin and Child Surrounded by Six Saints and Gianfrancesco II Gonzaga (mk05) oil


Andrea Mantegna
Virgin and Child Surrounded by Six Saints and Gianfrancesco II Gonzaga (mk05)
Painting ID::  20078
new5/Andrea Mantegna-742394.jpg 		Virgin and Child Surrounded by Six Saints and Gianfrancesco II Gonzaga (mk05)
1495 Canvas,112 1/4 x 66 1/4''(285 x 168 cm)Entered the Louvre in 1798
   
   
     
Andrea Mantegna Sebastian oil


Andrea Mantegna
Sebastian
Painting ID::  20079
new5/Andrea Mantegna-462379.jpg 		Sebastian
ca 1480 canvas,100 1/2 x 55''(255 x 140 cm)Entered the Louvre in 1910
   
   
     
Andrea Mantegna Mars and Venus Known as Parnassus (mk05) oil


Andrea Mantegna
Mars and Venus Known as Parnassus (mk05)
Painting ID::  20086
new5/Andrea Mantegna-443673.jpg 		Mars and Venus Known as Parnassus (mk05)
Painted like the following six pictures,for the studio of Isabella d'Este in the Ducal Palace at Mantua Canvas,62 1/2 x 751/2''(159 x 192 cm).Entered the Louvre in 18001
   
   
     
Andrea Mantegna Minerva Chases the Vices from the Garden f Virtue (mk05) oil


Andrea Mantegna
Minerva Chases the Vices from the Garden f Virtue (mk05)
Painting ID::  20087
new5/Andrea Mantegna-366882.jpg 		Minerva Chases the Vices from the Garden f Virtue (mk05)
ca 1502 Canvas 63 x 75 1/2\'\'(160 x 192 cm)Entered the Louvre in 1801
   
   
     
Andrea Mantegna Portrait of Cardinal Lodovico Trevisano (mk08) oil


Andrea Mantegna
Portrait of Cardinal Lodovico Trevisano (mk08)
Painting ID::  21195
new6/Andrea Mantegna-277766.jpg 		Portrait of Cardinal Lodovico Trevisano (mk08)
c.1459-1469 Tempera on wood 44x33cm Berlin,Gemaldegalerie,Staatliche Museenzu Berlin-Preubische Kulturbesitz
   
   
     
Andrea Mantegna Agony in the Garden (mk08) oil


Andrea Mantegna
Agony in the Garden (mk08)
Painting ID::  21234
new6/Andrea Mantegna-522249.jpg 		Agony in the Garden (mk08)
c.1460 Tempera on wood 63x80cm London,National Gallery
   
   
     
Andrea Mantegna Dead Christ (mk08) oil


Andrea Mantegna
Dead Christ (mk08)
Painting ID::  21235
new6/Andrea Mantegna-928639.jpg 		Dead Christ (mk08)
Tempera on canvas 66x81cm Milan,Pinacoteca di Brera
   
   
     
Andrea Mantegna The Gonzaga Family and Retinue finished (mk080 oil


Andrea Mantegna
The Gonzaga Family and Retinue finished (mk080
Painting ID::  21236
new6/Andrea Mantegna-566623.jpg 		The Gonzaga Family and Retinue finished (mk080
1474 Fresco 600x807cm Mantua,Palazzo Ducale,Camera degli Sposi
   
   
     
Andrea Mantegna The Agony in the Garden (nn03) oil


Andrea Mantegna
The Agony in the Garden (nn03)
Painting ID::  23365
new8/Andrea Mantegna-882964.jpg 		The Agony in the Garden (nn03)
c 1460 Tempera on panel 63 x 0 cm 24 3/4 x 31 1/2 in National Gallery London
   
   
     
Andrea Mantegna The Triumphs of Caesar (mk25) oil


Andrea Mantegna
The Triumphs of Caesar (mk25)
Painting ID::  23992
new8/Andrea Mantegna-642455.jpg 		The Triumphs of Caesar (mk25)
c 1485-94
   
   
     
Andrea Mantegna The Dead Christ (mk45) oil


Andrea Mantegna
The Dead Christ (mk45)
Painting ID::  25954
new2/Andrea Mantegna-962867.jpg 		The Dead Christ (mk45)
c.1480 Tempera on canvas 66x81.3cm Milan,Pinacoteca di Brera
   
   
     
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     Andrea Mantegna
     Italian 1431-1506 Andrea Mantegna Locations Mantegna was born in Isola di Carturo, close to Padua in the Republic of Venice, second son of a carpenter, Biagio. At the age of eleven he became the apprentice of Francesco Squarcione, Paduan painter. Squarcione, whose original vocation was tailoring, appears to have had a remarkable enthusiasm for ancient art, and a faculty for acting. Like his famous compatriot Petrarca, Squarcione was something of a fanatic for ancient Rome: he travelled in Italy, and perhaps Greece, amassing antique statues, reliefs, vases, etc., forming a collection of such works, then making drawings from them himself, and throwing open his stores for others to study. All the while, he continued undertaking works on commission for which his pupils no less than himself were made available. San Zeno Altarpiece, (left panel), 1457-60; San Zeno, VeronaAs many as 137 painters and pictorial students passed through Squarcine's school, which had been established towards 1440 and which became famous all over Italy. Padua was attractive for artists coming not only from Veneto but also from Tuscany, such as Paolo Uccello, Filippo Lippi and Donatello. Mantegna's early career was shaped indeed by impressions of Florentine works. At the time, Mantegna was said to be a favorite pupil; Squarcione taught him the Latin language, and instructed him to study fragments of Roman sculpture. The master also preferred forced perspective, the lingering results of which may account for some Mantegna's later innovations. However, at the age of seventeen, Mantegna separated himself from Squarcione. He later claimed that Squarcione had profited from his work without paying the rights. His first work, now lost, was an altarpiece for the church of Santa Sofia in 1448. The same year Mantegna was called, together with Nicol?? Pizolo, to work with a large group of painters entrusted with the decoration of the Ovetari Chapel in the apse of the church of Eremitani. It is probable, however, that before this time some of the pupils of Squarcione, including Mantegna, had already begun the series of frescoes in the chapel of S. Cristoforo, in the church of Sant'Agostino degli Eremitani, today considered his masterpiece. After a series of coincidences, Mantegna finished most of the work alone, though Ansuino, who collaborated with Mantegna in the Ovetari Chapel, brought his style in the Forl?? school of painting. The now censorious Squarcione carped about the earlier works of this series, illustrating the life of St James; he said the figures were like men of stone, and had better have been colored stone-color at once. This series was almost entirely lost in the 1944 Allied bombings of Padua. The most dramatic work of the fresco cycle was the work set in the worm's-eye view perspective, St. James Led to His Execution. (For an example of Mantegna's use of a lowered view point, see the image at right of Saints Peter and Paul; though much less dramatic in its perspective that the St. James picture, the San Zeno altarpiece was done shortly after the St. James cycle was finished, and uses many of the same techniques, including the classicizing architectural structure.) San Luca Altarpiece, 1453; Tempera on panel; Pinacoteca di Brera, MilanThe sketch of the St. Stephen fresco survived and is the earliest known preliminary sketch which still exists to compare to the corresponding fresco. Despite the authentic look of the monument, it is not a copy of any known Roman structure. Mantegna also adopted the wet drapery patterns of the Romans, who derived the form from the Greek invention, for the clothing of his figures, although the tense figures and interactions are derived from Donatello. The drawing shows proof that nude figures were used in the conception of works during the Early Renaissance. In the preliminary sketch, the perspective is less developed and closer to a more average viewpoint however. Among the other early Mantegna frescoes are the two saints over the entrance porch of the church of Sant'Antonio in Padua, 1452, and an altarpiece of St. Luke and other saints (at left) for the church of S. Giustina, now in the Brera Gallery in Milan (1453). As the young artist progressed in his work, he came under the influence of Jacopo Bellini, father of the celebrated painters Giovanni and Gentile, and of a daughter Nicolosia. In 1453 Jacopo consented to a marriage between Nicolosia to Mantegna in marriage.

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