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Alphonse Mucha Oil Painting Reproductions
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Alphonse Mucha La Trappistine oil


Alphonse Mucha
La Trappistine
Painting ID::  2825
Alphonse Mucha1.jpg 		La Trappistine
1897
   
   
     
Alphonse Mucha Cycles Perfecta oil


Alphonse Mucha
Cycles Perfecta
Painting ID::  2826
Alphonse Mucha2.jpg 		Cycles Perfecta
24 in x 36
   
   
     
Alphonse Mucha The Gulf oil


Alphonse Mucha
The Gulf
Painting ID::  11724
Alphonse Mucha_3kh7Sn.jpg 		The Gulf
ca 1897-1899 Pastel,4' 2 3/4'' x 3' 3 1/4''(129 x 100 cm) Gift of Jiri Mucha,1979
   
   
     
Alphonse Mucha Study for the cover of Christmas and Easter Bells (mk19) oil


Alphonse Mucha
Study for the cover of Christmas and Easter Bells (mk19)
Painting ID::  22332
new7/Alphonse Mucha-942993.jpg 		Study for the cover of Christmas and Easter Bells (mk19)
c 1900 Pencil on tracing paper Private collection,Paris
   
   
     
Alphonse Mucha The Emerald (mk19) oil


Alphonse Mucha
The Emerald (mk19)
Painting ID::  22333
new7/Alphonse Mucha-395944.jpg 		The Emerald (mk19)
1900 One of the dcorative panels for Four Precious Stones colour lithograph 110 x 52 cm Private collection
   
   
     
Alphonse Mucha La Trappistine (nn03) oil


Alphonse Mucha
La Trappistine (nn03)
Painting ID::  23394
new8/Alphonse Mucha-474599.jpg 		La Trappistine (nn03)
1897 Lithograph on paper 206 x 77 cm 81 x 30 1/3 in Suntory Ltd Collection Osaka
   
   
     
Alphonse Mucha woman in the wilderness oil


Alphonse Mucha
woman in the wilderness
Painting ID::  57049
new20/Alphonse Mucha-676882.jpg 		woman in the wilderness
mk247 1923,oil on canvas,79.375x118 in,201.5x299.5 cm,mucha museum,prague,czech republic
   
   
     
Alphonse Mucha Woman With a Burning Candle oil


Alphonse Mucha
Woman With a Burning Candle
Painting ID::  84895
new25/Alphonse Mucha-768797.jpg 		Woman With a Burning Candle
1911(1911) Dimensions 83.5 x 125.5 cyf
   
   
     
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     Alphonse Mucha
     1860-1939 Czech Alfons Maria Mucha was born in the town of Ivančice, Moravia (today's region of Czech Republic). His singing abilities allowed him to continue his education through high school in the Moravian capital of Brno, even though drawing had been his first love since childhood. He worked at decorative painting jobs in Moravia, mostly painting theatrical scenery, then in 1879 moved to Vienna to work for a leading Viennese theatrical design company, while informally furthering his artistic education. When a fire destroyed his employer's business in 1881 he returned to Moravia, doing freelance decorative and portrait painting. Count Karl Khuen of Mikulov hired Mucha to decorate Hrusovany Emmahof Castle with murals, and was impressed enough that he agreed to sponsor Mucha's formal training at the Munich Academy of Fine Arts. Poster of Maude Adams as Joan of Arc, 1909Mucha moved to Paris in 1887, and continued his studies at Academie Julian and Academie Colarossi while also producing magazine and advertising illustrations. Around Christmas 1894, Mucha happened to drop into a print shop where there was a sudden and unexpected demand for a new poster to advertise a play starring Sarah Bernhardt, the most famous actress in Paris, at the Theatre de la Renaissance. Mucha volunteered to produce a lithographed poster within two weeks, and on 1 January 1895, the advertisement for Gismonda appeared on the streets of the city. It was an overnight sensation and announced the new artistic style and its creator to the citizens of Paris. Bernhardt was so satisfied with the success of that first poster that she entered into a 6 years contract with Mucha. Mucha produced a flurry of paintings, posters, advertisements, and book illustrations, as well as designs for jewellery, carpets, wallpaper, and theatre sets in what was initially called the Mucha Style but became known as Art Nouveau. Mucha's works frequently featured beautiful healthy young women in flowing vaguely Neoclassical looking robes, often surrounded by lush flowers which sometimes formed haloes behind the women's heads. In contrast with contemporary poster makers he used paler pastel colors. The 1900 Universal Exhibition in Paris diffused the "Mucha style" internationally. He decorated the Bosnia and Herzegovina Pavilion and collaborated in the Austrian one. His Art Nouveau style was often imitated. However, this was a style that Mucha attempted to distance himself from throughout his life; he insisted always that, rather than adhering to any fashionable stylistic form, his paintings came purely from within and Czech art. He declared that art existed only to communicate a spiritual message, and nothing more; hence his frustration at the fame he gained through commercial art, when he wanted always to concentrate on more lofty projects that would ennoble art and his birthplace.

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