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Alexandre Cabanel Oil Painting Reproductions
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Alexandre Cabanel The Death of Francesca da Rimini and Paolo Malatesta oil


Alexandre Cabanel
The Death of Francesca da Rimini and Paolo Malatesta
Painting ID::  296
Alexandre Cabanel1.jpg 		The Death of Francesca da Rimini and Paolo Malatesta
1870 Musee d'Orsay, Paris
   
   
     
Alexandre Cabanel The Birth of Venus oil


Alexandre Cabanel
The Birth of Venus
Painting ID::  297
Alexandre Cabanel2.jpg 		The Birth of Venus
1863 Musee d\'Orsay, Paris
   
   
     
Alexandre Cabanel La Comtesse de Keller oil


Alexandre Cabanel
La Comtesse de Keller
Painting ID::  10937
Alexandre Cabanel3.jpg 		La Comtesse de Keller
1873. 3' 3" x 2' 6" ( 99x76 cm ). Gift of Marquis and Marquis de Saint - Yves d'Alveydre, 1889.
   
   
     
Alexandre Cabanel Prince K A Gorchakov (san 05) oil


Alexandre Cabanel
Prince K A Gorchakov (san 05)
Painting ID::  20981
new6/Alexandre Cabanel-843657.jpg 		Prince K A Gorchakov (san 05)
1868 (Inv No 5093)Oil on canvas 26 1/2 x 22''(67 x 56 cm)(Ex coll Gorchakov St Petersburg)
   
   
     
Alexandre Cabanel The Birth of Venus oil


Alexandre Cabanel
The Birth of Venus
Painting ID::  40730
new16/Alexandre Cabanel-644352.jpg 		The Birth of Venus
mk156 c.1863 Oil on canvas 130x225cm
   
   
     
Alexandre Cabanel The Love of Acis and Galatea oil


Alexandre Cabanel
The Love of Acis and Galatea
Painting ID::  51777
new19/Alexandre Cabanel-449828.jpg 		The Love of Acis and Galatea
mk221 1827 Oil on canvas 146x113.7cm
   
   
     
Alexandre Cabanel Eleopatra Trying Out the Poison on Prisoners Sentenced to Death oil


Alexandre Cabanel
Eleopatra Trying Out the Poison on Prisoners Sentenced to Death
Painting ID::  51812
new19/Alexandre Cabanel-327387.jpg 		Eleopatra Trying Out the Poison on Prisoners Sentenced to Death
mk221 1887 Oil on canvas 87.6x148cm
   
   
     
Alexandre Cabanel The Birth of Venus oil


Alexandre Cabanel
The Birth of Venus
Painting ID::  54534
new19/Alexandre Cabanel-293523.jpg 		The Birth of Venus
mk235 1863 Oil oncanvas 130x225cm
   
   
     
Alexandre Cabanel Ophelia oil


Alexandre Cabanel
Ophelia
Painting ID::  73176
new24/Alexandre Cabanel-557546.jpg 		Ophelia
Date 1883(1883) Medium Oil on canvas Dimensions 77 X 117.5 cm (30.31 X 46.26 in) cyf
   
   
     
Alexandre Cabanel Albayde oil


Alexandre Cabanel
Albayde
Painting ID::  73511
new24/Alexandre Cabanel-645956.jpg 		Albayde
Date 1848(1848) Medium Oil on canvas Dimensions 98 X 80 cm (38.58 X 31.5 in) cyf
   
   
     
Alexandre Cabanel Aglaida and Boniface oil


Alexandre Cabanel
Aglaida and Boniface
Painting ID::  83510
new24/Alexandre Cabanel-535598.jpg 		Aglaida and Boniface
19th century Medium oil on canvas cyf
   
   
     
Alexandre Cabanel Harmonie oil


Alexandre Cabanel
Harmonie
Painting ID::  86247
new25/Alexandre Cabanel-859864.jpg 		Harmonie
1877(1877) Medium Oil on canvas cyf
   
   
     
Alexandre Cabanel Alexandre Cabanel oil


Alexandre Cabanel
Alexandre Cabanel
Painting ID::  96342
new26/Alexandre Cabanel-433574.jpg 		Alexandre Cabanel
Oil on Canvas Date 1868 cyf
   
   
     
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     Alexandre Cabanel
     1823-1889 French Alexandre Cabanel Locations French painter and teacher. His skill in drawing was apparently evident by the age of 11. His father could not afford his training, but in 1839 his departement gave him a grant to go to Paris. This enabled him to register at the Ecole des Beaux-Arts the following October as a pupil of Francois-Edouard Picot. At his first Salon in 1843 he presented Agony in the Garden (Valenciennes, Mus. B.-A.) and won second place in the Prix de Rome competition (after Lon Benouville, also a pupil of Picot) in 1845 with Christ at the Praetorium (Paris, Ecole N. Sup. B.-A.). Both Cabanel and Benouville were able to go to Rome, as there was a vacancy from the previous year. Cabanel Death of Moses (untraced), an academic composition, painted to comply with the regulations of the Ecole de Rome, was exhibited at the Salon of 1852. The pictures he painted for Alfred Bruyas, his chief patron at this time (and, like Cabanel, a native of Montpellier), showed more clearly the direction his art had taken during his stay in Italy. Albayde, Angel of the Evening, Chiarruccia and Velleda (all in Montpellier, Mus. Fabre) were the first of many mysterious or tragic heroines painted by Cabanel and show his taste for the elegiac types and suave finish of the Florentine Mannerists.

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