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Abraham Janssens Oil Painting Reproductions
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Abraham Janssens Das Gesicht oil


Abraham Janssens
Das Gesicht
Painting ID::  73658
new24/Abraham Janssens-573739.jpg 		Das Gesicht
Das Gesicht (wohl aus einer Serie mit Allegorien der fXnf Sinne), Öl auf Leinwand, 117 x 93 cm cjr
   
   
     
Abraham Janssens Das Gesicht oil


Abraham Janssens
Das Gesicht
Painting ID::  75237
new24/Abraham Janssens-334364.jpg 		Das Gesicht
Öl auf Leinwand, 117 x 93 cm Date 16th/17th century cyf
   
   
     
Abraham Janssens The Lamentation of Christ . oil


Abraham Janssens
The Lamentation of Christ .
Painting ID::  84429
new25/Abraham Janssens-949458.jpg 		The Lamentation of Christ .
Date ca. 1624(1624) Medium Oil on canvas Dimensions 155 x 180.5 cm (61 x 71.1 in) cjr
   
   
     
Abraham Janssens The Lamentation of Christ oil


Abraham Janssens
The Lamentation of Christ
Painting ID::  88300
new25/Abraham Janssens-857593.jpg 		The Lamentation of Christ
c. 1624(1624) Medium Oil on canvas Dimensions 155 x 180.5 cm (61 x 71.1 in) cyf
   
   
     
Abraham Janssens Scaldis und Antwerpia oil


Abraham Janssens
Scaldis und Antwerpia
Painting ID::  89239
new25/Abraham Janssens-535884.jpg 		Scaldis und Antwerpia
1609 Medium oil on wood Dimensions Deutsch: 174 x 308 cm cjr
   
   
     
Abraham Janssens Ecce Homo oil


Abraham Janssens
Ecce Homo
Painting ID::  91065
new25/Abraham Janssens-896439.jpg 		Ecce Homo
1612-1613 Medium oil on panel Dimensions 126 x 96 cm (49.6 x 37.8 in) cyf
   
   
     
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     Abraham Janssens
     van Nuyssen (ca. 1567/1576 - 1632) was a Flemish Baroque painter. He was born at Antwerp, in a year variously reported between 1567 and 1576. He studied under Jan Snellinck, was a master in 1602, and in 1607 was dean of the master-painters. He died in the city of his birth. Till the appearance of Rubens he was considered perhaps the best historical painter of his time. The styles of the two artists are not unalike. In correctness of drawing Janssens excelled his great contemporary; in bold composition and in treatment of the nude he equalled him; but in faculty of color and in general freedom of disposition and touch he fell far short. A master of chiaroscuro, he gratified his taste for strong contrasts of light and shade in his torchlights and similar effects. Good examples of this master are to be seen in the Antwerp museum and the Vienna gallery. The stories of his jealousy of Rubens and of his dissolute life are quite unfounded. His students include Gerard Seghers and Theodoor Rombouts.

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