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Abraham Bloemaert Oil Painting Reproductions
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Abraham Bloemaert Landscape with the Ministry of John the Baptist. oil


Abraham Bloemaert
Landscape with the Ministry of John the Baptist.
Painting ID::  65890
new22/Abraham Bloemaert-965234.jpg 		Landscape with the Ministry of John the Baptist.
ca. 1600(1600) (1590-1610) Oil on canvas 139 188 cm (54.72 x 74.02 in)
   
   
     
Abraham Bloemaert Landscape with fruit and vegetables in the foreground oil


Abraham Bloemaert
Landscape with fruit and vegetables in the foreground
Painting ID::  65903
new22/Abraham Bloemaert-723925.jpg 		Landscape with fruit and vegetables in the foreground
after 1614(1614) (1614-1699) Oil on canvas 39 cm x 50 cm
   
   
     
Abraham Bloemaert Vertumnus and Pomona oil


Abraham Bloemaert
Vertumnus and Pomona
Painting ID::  71422
new23/Abraham Bloemaert-848835.jpg 		Vertumnus and Pomona
Date 1620 Medium Oil on canvas Dimensions 98 x 125 cm (38.58 x 49.21 in)
   
   
     
Abraham Bloemaert Shepherd Boy Pointing at Tobias and the Angel oil


Abraham Bloemaert
Shepherd Boy Pointing at Tobias and the Angel
Painting ID::  72133
new23/Abraham Bloemaert-348963.jpg 		Shepherd Boy Pointing at Tobias and the Angel
Abraham Bloemaert - Shepherd Boy Pointing at Tobias and the Angel - 36 1/4 x 46 3/8 in. (92,08 x 117,79 cm) - Oil on canvas - Minneapolis Institute of Art
   
   
     
Abraham Bloemaert Berger montrant Tobie et l Ange oil


Abraham Bloemaert
Berger montrant Tobie et l Ange
Painting ID::  73746
new24/Abraham Bloemaert-779798.jpg 		Berger montrant Tobie et l Ange
92,08 x 117,79 cm - Huile sur toile - Minneapolis Institute of Art Date c. 1625-1630 cyf
   
   
     
Abraham Bloemaert Shepherd Boy Pointing at Tobias and the Angel oil


Abraham Bloemaert
Shepherd Boy Pointing at Tobias and the Angel
Painting ID::  75335
new24/Abraham Bloemaert-574564.jpg 		Shepherd Boy Pointing at Tobias and the Angel
Date c. 1625-1630 Medium Oil on canvas Dimensions 36 1/4 x 46 3/8 in. (92,08 x 117,79 cm) cyf
   
   
     
Abraham Bloemaert Shepherdess with Grapes oil


Abraham Bloemaert
Shepherdess with Grapes
Painting ID::  81322
new24/Abraham Bloemaert-773754.jpg 		Shepherdess with Grapes
Date 1628 Medium Oil on canvas Dimensions Deutsch: 104 x 83,5 cm cjr
   
   
     
Abraham Bloemaert Niobe weeping for her children oil


Abraham Bloemaert
Niobe weeping for her children
Painting ID::  81494
new24/Abraham Bloemaert-743869.jpg 		Niobe weeping for her children
Date 1591(1591) Medium Oil on canvas Dimensions 204 cm x 249.5 cm cjr
   
   
     
Abraham Bloemaert Niobe weeping for her children oil


Abraham Bloemaert
Niobe weeping for her children
Painting ID::  85498
new25/Abraham Bloemaert-858564.jpg 		Niobe weeping for her children
1591(1591) Medium Oil on canvas Dimensions 204 cm x 249.5 cm cyf
   
   
     
Abraham Bloemaert The Emmaus Disciples oil


Abraham Bloemaert
The Emmaus Disciples
Painting ID::  89324
new25/Abraham Bloemaert-858773.jpg 		The Emmaus Disciples
1622(1622) Medium oil on wood cyf
   
   
     
Abraham Bloemaert The Judgement of Paris oil


Abraham Bloemaert
The Judgement of Paris
Painting ID::  90820
new25/Abraham Bloemaert-388369.jpg 		The Judgement of Paris
? Medium oil on canvas Dimensions 28¾ x 39 in. (73 x 99 cm.) cyf
   
   
     
Abraham Bloemaert The Four Evangelists oil


Abraham Bloemaert
The Four Evangelists
Painting ID::  96135
new26/Abraham Bloemaert-697566.jpg 		The Four Evangelists
1615 Medium painting cyf
   
   
     
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     Abraham Bloemaert
     (1566, Gorinchem - 27 January 1651, Utrecht), was a Dutch painter and printmaker in etching and engraving. He was one of the "Haarlem Mannerists" from about 1585, but in the new century altered his style to fit new Baroque trends. Bloemaert was the son of an architect, who moved his family to Utrecht in 1575, where Abraham was first a pupil of Gerrit Splinter (pupil of Frans Floris) and of Joos de Beer. He then spent three years in Paris, studying under several masters, and on his return to his native country received further training from Hieronymus Francken. In 1591 he went to Amsterdam, and four years later settled finally at Utrecht, where he became dean of the Guild of St. Luke. He excelled more as a colourist than as a draughtsman, was extremely productive, and painted and etched historical and allegorical pictures, landscapes, still-life, animal pictures and flower pieces. In the first decade of the seventeenth-century, Bloemaert began formulating his landscape paintings to include pictoresque ruined cottagges and other pastoral elements. In these works, the religious or mythological figures play a subordinate role. Country life was to remain Bloemaert's favourite subject, which he depicted with increasing naturalism. He drew motifs such as peasant cottages, dovecotes and trees from life and then on his return to the studio, worked them up into complex imaginary scenes. Among his pupils are his four sons, Hendrick, Frederick, Cornelis, and Adriaan (all of whom achieved considerable reputation as painters or engravers), the two Honthorsts, Ferdinand Bol and Jacob Gerritsz Cuyp.

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